Update documentation

_sources/act3/part2/part2_3.ipynb

@@ -2129,7 +2129,7 @@
     "_TGIF & the Scope of Relationships: Self, Neighbor, God_. Trust forms the foundation for the celestial virtues of faith, hope, and love. It’s the essence of the innocent cherubs and winged boys, where no market for information exists—no deception, no contracts. But once paradise is lost, we enter the world of noncooperative games: adversarial and iterative, as punishment for the fall of man. From then on, contracts, bluffs, and schemes become our bitter companions, fueling the [market for information](https://en.wikipedia.org/wiki/Bloomberg_L.P.). Information flow, or communication, is visualized through directed acyclic graphs, resembling a \"neurone.\" ***Nietzsche*** was sharp in his critique of \"secondary\" emotions—existential dread, betrayal, and resentment—none of which emerge from the pure, primary self but are instead reactions to external adversaries. These responses, born of passivity and helplessness, signify a deep-seated disease, perhaps the frailty of the spirit. By contrast, those who possess the will-to-power demand a robust \"diet\"—physically, mentally, and spiritually—fueled by locality, climate, and outdoor activity. For them, life is a grand march, with little rest and a spartan regimen. ***This \"descent to hell,\"*** in Nietzsche’s view, mirrors Dante’s *Commedia*, and our directed acyclic graphs (DAGs) illustrate this beautifully. Each neurone acts as a feedback loop to the broader social network, mirroring iterations of neural networks. These networks, fractal in their geometric nature and scale, replicate endlessly over space and `time`, uniting us all in the intricate dance of self, neighbor, and God. The $S(t)$ is the \"groove\" of life out of the spirit of music!\n",
     "```\n",
     "\n",
-    "```{admonition}: Richard II \n",
+    "```{admonition} [Richard II](https://www.gutenberg.org/cache/epub/1776/pg1776-images.html)\n",
     ":class: danger\n",
     "\n",
     "\"Music do I hear?  \n",
@@ -2141,7 +2141,8 @@
     "But, for the concord of my state and time,  \n",
     "Had not an ear to hear my true time broke.  \n",
     "I wasted time, and now doth time waste me.\"\n",
-    "``` "
+    "``` \n",
+    "\n"
    ]
   },
   {

act3/part2/part2_3.html

@@ -2463,18 +2463,17 @@ <h2>50<a class="headerlink" href="#id51" title="Permalink to this heading">#</a>
 <p><span class="caption-number">Fig. 47 </span><span class="caption-text"><em>TGIF &amp; the Scope of Relationships: Self, Neighbor, God</em>. Trust forms the foundation for the celestial virtues of faith, hope, and love. It’s the essence of the innocent cherubs and winged boys, where no market for information exists—no deception, no contracts. But once paradise is lost, we enter the world of noncooperative games: adversarial and iterative, as punishment for the fall of man. From then on, contracts, bluffs, and schemes become our bitter companions, fueling the <a class="reference external" href="https://en.wikipedia.org/wiki/Bloomberg_L.P.">market for information</a>. Information flow, or communication, is visualized through directed acyclic graphs, resembling a “neurone.” <em><strong>Nietzsche</strong></em> was sharp in his critique of “secondary” emotions—existential dread, betrayal, and resentment—none of which emerge from the pure, primary self but are instead reactions to external adversaries. These responses, born of passivity and helplessness, signify a deep-seated disease, perhaps the frailty of the spirit. By contrast, those who possess the will-to-power demand a robust “diet”—physically, mentally, and spiritually—fueled by locality, climate, and outdoor activity. For them, life is a grand march, with little rest and a spartan regimen. <em><strong>This “descent to hell,”</strong></em> in Nietzsche’s view, mirrors Dante’s <em>Commedia</em>, and our directed acyclic graphs (DAGs) illustrate this beautifully. Each neurone acts as a feedback loop to the broader social network, mirroring iterations of neural networks. These networks, fractal in their geometric nature and scale, replicate endlessly over space and <code class="docutils literal notranslate"><span class="pre">time</span></code>, uniting us all in the intricate dance of self, neighbor, and God. The <span class="math notranslate nohighlight">\(S(t)\)</span> is the “groove” of life out of the spirit of music!</span><a class="headerlink" href="#id57" title="Permalink to this image">#</a></p>
 </figcaption>
 </figure>
-<div class="highlight-{admonition}: notranslate"><div class="highlight"><pre><span></span>:class: danger
-
-&quot;Music do I hear?  
-Ha, ha! `keep time`. How sour sweet music is  
-When time is broke and no proportion kept!  
-So is it in the music of men&#39;s lives.  
-And here have I the daintiness of ear  
-To check time broke in a disorder&#39;d string;  
-But, for the concord of my state and time,  
-Had not an ear to hear my true time broke.  
-I wasted time, and now doth time waste me.&quot;
-</pre></div>
+<div class="danger admonition">
+<p class="admonition-title"><a class="reference external" href="https://www.gutenberg.org/cache/epub/1776/pg1776-images.html">Richard II</a></p>
+<p>“Music do I hear?<br />
+Ha, ha! <code class="docutils literal notranslate"><span class="pre">keep</span> <span class="pre">time</span></code>. How sour sweet music is<br />
+When time is broke and no proportion kept!<br />
+So is it in the music of men’s lives.<br />
+And here have I the daintiness of ear<br />
+To check time broke in a disorder’d string;<br />
+But, for the concord of my state and time,<br />
+Had not an ear to hear my true time broke.<br />
+I wasted time, and now doth time waste me.”</p>
 </div>
 <div class="cell tag_hide-input docutils container">
 <details class="hide above-input">