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Copy pathFloteII3.tex
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FloteII3.tex
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% format tex
% % % % % % % % % % % % % % % %
% Flöte II.
\startbarno0
\message{Flöte II. III.Satz}
\generalmeter{\allabreve}
\generalsignature{0}
%setname1{Flöte II.}
\setclef1\treble
\mulooseness=-1
\stafftopmarg=4\Interligne
\staffbotmarg=0\Interligne
\nobarnumbers
\startpiece
\systemnumbers
% bar extra [Flöte II.]
\znotes\uptext{\raise 20pt\hbox{\bigtype
Allegro assai. Sehr trotzig.}}\enotes
\qspace
\NOtes\qp\enotes
\bar % bar 1-14 [Flöte II.]
\longrest{14}%
\bar % bar 15-21 [Flöte II.]
\rehearsalmark{28}{3.0}{0pt}%
\longrest7%
\bar % bar 22 [Flöte II.]
\guideexcerptstyle%
\NOTes\sk\enotes
\NOtes\sk\enotes
\znotes\ccharnote{N}{\smalltype Ob.}\enotes
\Notes\tinynotesize\cu e\ds\enotes
\excerptpause3%
\bar % bar 23 [Flöte II.]
\NOTes\tinynotesize\lifthpause{-3}\hu f\enotes
\NOtes\tinynotesize\lifthpause1\lower2\Interligne\qp\enotes
\znotes\zcharnote{M}{\smalltype Klar.}\enotes
\Notes\tinynotesize\cl g\lower1\Interligne\ds\enotes
\excerptpause3%
\bar % bar 24 [Flöte II.]
\NOtes\tinynotesize\lifthpause1\isluru0h\ql h\enotes
\Notes\tinynotesize\tslur0i\cl i\lower1\Interligne\ds\enotes
\NOtes\tinynotesize\lifthpause{-3}\raise1\Interligne\qp\enotes
\znotes\zcharnote{M}{\smalltype Ob.}\enotes
\Notes\tinynotesize\cu g\ds\enotes
\excerptpause3%
\bar % bar 25 [Flöte II.]
\NOTes\tinynotesize\lifthpause{-3}\hu h\enotes
\NOtes\tinynotesize\lifthpause1\lower1\Interligne\qp\enotes
\znotes\zcharnote{M}{\smalltype Klar.}\enotes
\Notes\tinynotesize\cl i\lower2\Interligne\ds\enotes
\excerptpause3%
\bar % bar 26 [Flöte II.]
\NOtes\tinynotesize\isluru0j\zql j\raise3\Interligne\qp\enotes
\znotes\zcharnote{M}{\smalltype Ob.}\enotes
\Notes\tinynotesize\tslur0n\zcl n\cu n\ds\lifthpause{-3}\cu l\raise2\Interligne\ds\hqsk\cu{^j}\raise2\Interligne\ds\enotes
\excerptpause4%
\defaultskipstyle%
\bar % bar 27 [Flöte II.]
\longrest1%
\bar % bar 28 [Flöte II.]
\NOTes\hpause\enotes
\NOtes\qp\enotes
\Notes\ds\ccharnote{N}{\f}\isluru0n\cl n\enotes
\bar % bar 29 [Flöte II.]
\NOtesp\hqsk\qlp{^t}\enotes
\Notes\cl u\enotes
\NOtesp\qlp{^r}\enotes
\Notes\cl s\enotes
\bar % bar 30 [Flöte II.]
\Notes\zcharnote{N}{\smallppff dim.}\ibl0o2\qb0{pq}\tbl0\qb0{=r}\ds%
\ibl0n2\qb0{^no}\tbl0\curve936\tslur0p\qb0p\ds\enotes
\bar % bar 31-33 [Flöte II.]
\longrest3%
\bar % bar 34 [Flöte II.]
\NOTes\hpause\enotes
\Notes\ds\ccharnote{N}{\f}\ibl0m2\upz m\qb0{^m}\upz n\qb0{=n}\tbl0\upz o\qb0o\enotes
\bar % bar 35 [Flöte II.]
\NOtes\isluru0p\ql p\enotes
\Notes\tslur0s\cl s\ds\ds\ibl0l2\upz l\qb0l\upz m\qb0{=m}\tbl0\upz n\qb0n\enotes
\bar % bar 36 [Flöte II.]
\NOtes\isluru0o\ql o\enotes
\Notes\tslur0t\cl t\ds\enotes
\NOTes\hpause\enotes
\bar % bar 37 [Flöte II.]
\NOTes\hpause\enotes
\NOtes\qp\enotes
\Notes\ccharnote{N}{\ff}\cl s\ds\enotes
\bar % bar 38 [Flöte II.]
\NOtes\isluru0t\ql t\enotes
\Notes\tslur0p\cl p\ds\enotes
\NOtes\qp\enotes
\Notes\cl q\ds\enotes
\bar % bar 39 [Flöte II.]
\Notes\ibl0p{-2}\qb0r\tbl0\qb0q\cl{=p}\ds\enotes
\NOtes\qp\isluru0v\ql v\enotes
\bar % bar 40 [Flöte II.]
\NOtes\hqsk\ql{^u}\enotes
\Notes\tslur0p\cl p\ds\enotes
\NOtes\qp\enotes
\Notes\cl s\ds\enotes
\bar % bar 41 [Flöte II.]
\Notes\ibl0p{-1}\qb0t\tbl0\qb0s\cl r\ds\enotes
\NOtes\qp\isluru0q\ql q\enotes
\bar % bar 42 [Flöte II.]
\NOtes\midslur2\ql p\enotes
\Notes\tslur0m\cu h\ds\enotes
\NOtes\qp\isluru0q\ql q\enotes
\bar % bar 43 [Flöte II.]
\NOtes\shottrille r\midslur3\ql p\enotes
\Notes\tslur0n\cu h\ds\enotes
\NOtes\isluru0p\shottrille r\ql p\enotes
\Notes\tslur0m\cu h\ds\enotes
\bar % bar 44-50 [Flöte II.]
\rehearsalmark{29}{3.0}{0pt}%
\longrest7%
\bar % bar 51 [Flöte II.]
\NOTes\hpause\enotes
\NOtes\qp\enotes
\Notes\ccharnote{N}{\ff}\ibl0l2\qb0l\tbl0\qb0{^m}\enotes
\bar % bar 52 [Flöte II.]
\Notes\hqsk\ibl0n0\isluru0n\qb0{^non}\tbl0\tslur0o\qb0o%
\ibl0n0\isluru0n\qb0{=non}\tbl0\tslur0o\qb0o\enotes
\bar % bar 53 [Flöte II.]
\NOTes\hqsk\hl{^m}\enotes
\NOtes\qp\enotes
\Notes\ibl0n2\qb0{^n}\tbl0\qb0o\enotes
\bar % bar 54 [Flöte II.]
\Notes\hqsk\ibl0n0\isluru0o\qb0{^opo}\tbl0\tslur0p\qb0p%
\ibl0n0\isluru0o\qb0{=opo}\tbl0\tslur0p\qb0p\enotes
\bar % bar 55 [Flöte II.]
\NOTes\hqsk\hl{^n}\hpause\enotes
\bar % bar 56-60 [Flöte II.]
\longrest5%
\bar % bar 61 [Flöte II.]
\NOTes\hpause\enotes
\NOtes\qp\enotes
\Notes\ccharnote{N}{\ff}\isluru0n\ibl0n2\qb0{^n}\tbl0\qb0o\enotes
\bar % bar 62 [Flöte II.]
\Notes\hqsk\ibl0n2\qb0{^nop}\tbl0\qb0q\ibl0o{-2}\qb0{pon}\tbl0\qb0{^m}\enotes
\bar % bar 63 [Flöte II.]
\Notes\ibl0m0\qb0{l^m^n}\tbl0\qb0m\ibl0l{-2}\qb0{lkj}\tbl0\midslur4\tslur0i\qb0i\enotes
\bar % bar 64-65 [Flöte II.]
\longrest2%
\bar % bar 66-77 [Flöte II.]
\rehearsalmark{30}{3.0}{0pt}%
\longrest{12}%
\bar % bar 78 [Flöte II.]
\NOTes\hpause\enotes
\NOtes\qp\enotes
\Notes\ccharnote{N}{\ff}\isluru0t\ibl0o2\qb0t\tbl0\qb0u\enotes
% bar 79 [Flöte II.]
\generalsignature{-1}\Changecontext%
\Notes\ibl0p0\qb0{vwv}\tbl0\qb0w\ibl0p0\qb0{tut}\tbl0\qb0u\enotes
\bar % bar 80 [Flöte II.]
\Notes\hqsk\ibl0p0\qb0{^uvu}\tbl0\tslur0v\qb0v\enotes
\NOtes\qp\enotes
\Notes\isluru0u\ibl0p{-1}\qb0{=u}\tbl0\qb0t\enotes
\bar % bar 81 [Flöte II.]
\Notes\ibl0p{-1}\qb0{sr^q}\tbl0\qb0{=p}\ibl0p0\qb0{qrs}\tbl0\qb0q\enotes
\bar % bar 82 [Flöte II.]
\NOTes\tslur0r\hl r\enotes
\Notes\ds\isluru0o\ibl0o2\qb0{o^q}\tbl0\qb0r\enotes
\bar % bar 83 [Flöte II.]
\NOTes\tslur0s\hl s\enotes
\Notes\ds\isluru0o\ibl0o2\qb0{or}\tbl0\qb0t\enotes
\bar % bar 84 [Flöte II.]
\NOTes\tslur0v\hl v\enotes
\NOtes\qp\enotes
\notes\isluru0t\triolet v\ibl0o1\qb0{rt}\tbl0\qb0v\enotes
\bar % bar 85 [Flöte II.]
\NOtes\tslur0{'t}\ust{`y}\ql y\enotes
\Notes\ibl0p{-1}\upz x\qb0x\tbl0\upz w\qb0{=w}\upz v\cl v\ds\upz u\cl{^u}\ds\enotes
\bar % bar 86 [Flöte II.]
\NOtes\ust x\ql x\enotes
\Notes\ibl0p{-1}\upz w\qb0{_w}\tbl0\upz v\qb0{_v}\upz u\cl u\ds\upz t\cl{^t}\ds\enotes
\bar % bar 87-89 [Flöte II.]
\longrest3%
\bar % bar 90 [Flöte II.]
\NOTes\hpause\enotes
\NOtes\qp\enotes
\Notes\ccharnote{N}{\ff}\ibl0n3\qb0n\tbl0\qb0p\enotes
\bar % bar 91 [Flöte II.]
\Notes\hqsk\ibl0p{-2}\qb0{_s}\tbl0\qb0r\enotes
\NOtes\ql q\qp\enotes
\Notes\cl s\ds\enotes
\bar % bar 92 [Flöte II.]
\NOTes\hl t\enotes
\NOtes\qp\enotes
\Notes\ibl0o3\qb0o\tbl0\qb0q\enotes
\bar % bar 93 [Flöte II.]
\Notes\ibl0p{-2}\qb0t\tbl0\qb0{_s}\cl r\ds\enotes
\NOtes\qp\enotes
\Notes\cl t\ds\enotes
\bar % bar 94 [Flöte II.]
\NOTes\hl u\hpause\enotes
\bar % bar 95-96 [Flöte II.]
\longrest2%
\bar % bar 97 [Flöte II.]
\NOtes\qp\enotes
\notes\multnoteskip\tinyvalue\tinynotesize\islurd0m\grcu{^n}\enotes
\Notes\ccharnote{N}{\f}\tslur0o\cl o\ds\enotes
\NOtes\qp\enotes
\notes\multnoteskip\tinyvalue\tinynotesize\islurd0p\grcu{^q}\enotes
\Notes\tslur0q\cl r\ds\enotes
\bar % bar 98 [Flöte II.]
\NOtes\qp\enotes
\notes\multnoteskip\tinyvalue\tinynotesize\isluru0u\grcu s\enotes
\NOtes\tslur0t\ql t\qp\enotes
\notes\isluru0t\triolet t\ibl0p0\qb0{rs}\tbl0\qb0r\breakslur0v\enotes
\bar % bar 99 [Flöte II.]
\Notes\hqsk\tslur0r\cl{^q}\ds\enotes
\notes\multnoteskip\tinyvalue\tinynotesize\islurd0p\grcu q\enotes
\Notes\tslur0o\cl p\ds\enotes
\notes\multnoteskip\tinyvalue\tinynotesize\islurd0o\grcu p\enotes
\Notes\tslur0n\cl o\ds\enotes
\notes\multnoteskip\tinyvalue\tinynotesize\islurd0n\grcu o\enotes
\Notes\tslur0m\cl n\ds\enotes
\bar % bar 100 [Flöte II.]
\notes\multnoteskip\tinyvalue\tinynotesize\islurd0m\grcu n\enotes
\NOTes\tslur0l\hl m\hpause\enotes
\bar % bar 101 [Flöte II.]
\longrest1%
\bar % bar 102 [Flöte II.]
\notes\multnoteskip\tinyvalue\tinynotesize\islurd0m\grcu n\enotes
\NOTes\ccharnote{N}{\sF}\tslur0o\hl p\hpause\enotes
\bar % bar 103 [Flöte II.]
\longrest1%
\bar % bar 104 [Flöte II.]
\notes\multnoteskip\tinyvalue\tinynotesize\islurd0m\grcu{^n}\enotes
\NOTes\hqsk\ccharnote{N}{\sF}\tslur0o\hl{=p}\hpause\enotes
\bar % bar 105-108 [Flöte II.]
\longrest4%
% bar 109-120 [Flöte II.]
\generalmeter{\meterfrac24}\Changecontext%
\notabene{0pt}{\vbox{\hbox{L'istesso tempo}\hbox{\quad\normtype(\metronequiv{\tinynotesize\qu}{\tinynotesize\hu})}}}%
\longlongrest{12}3%
\bar % bar 121 [Flöte II.]
\addspace{-\afterruleskip}\zalaligne
\mulooseness=1
\rehearsalmark{31}{3.0}{17pt}%
\notabene{7pt}{\smalltype\bf Flatterzunge}%
\stemlength{5.4}%
\NOtes\ccharnote{L}{\f}\usf l\trembbbl0n3\ql l\usf m\trembbbl0o3\ql{^m}\enotes
\bar % bar 122 [Flöte II.]
\NOtes\hqsk\trembbbl0p3\ql{^n}\enotes
\stemlength{4.66}%
\Notes\ibl0m{-2}\upz m\qb0{^m}\tbl0\upz l\qb0l\enotes
\bar % bar 123 [Flöte II.]
\stemlength{5.4}%
\NOtes\hqsk\trembbbl0l3\ql{^j}\enotes
\stemlength{4.66}%
\Notes\ibu0i{-2}\lpz i\qb0{=i}\tbu0\lpz h\qb0h\enotes
\bar % bar 124 [Flöte II.]
\NOtes\qu d\qp\enotes
\bar % bar 125-128 [Flöte II.]
\longrest4%
\bar % bar 129 [Flöte II.]
\notabene{7pt}{\smalltype\bf Flatterzunge}%
\stemlength{5.4}%
\NOtes\ccharnote{L}{\ff}\trembbbl0n3\ql l\trembbbl0o3\ql{^m}\enotes
\bar % bar 130 [Flöte II.]
\NOtes\hqsk\trembbbl0p3\ql{^n}\enotes
\stemlength{4.66}%
\Notes\ibl0m2\upz m\qb0{^m}\tbl0\upz n\qb0n\enotes
\bar % bar 131-137 [Flöte II.]
\longrest7%
\bar % bar 138 [Flöte II.]
\NOtes\qp\enotes
\Notes\ccharnote{N}{\f}\ibl0p{-2}\upz q\qb0q\tbl0\upz p\qb0p\enotes
\bar % bar 139 [Flöte II.]
\Notes\hqsk\isluru0o\ibl0o0\usf o\qb0{_o}\enotes
\notes\nbbl0\qb0p\tbbl0\tbl0\qb0o\enotes
\Notes\ibl0n0\usf n\qb0n\enotes
\notes\nbbl0\qb0o\tbbl0\tbl0\qb0n\enotes
\bar % bar 140 [Flöte II.]
\NOtes\tslur0m\ql m\qp\enotes
\bar % bar 141-142 [Flöte II.]
\longrest2%
\bar % bar 143-145 [Flöte II.]
\rehearsalmark{32}{3.0}{0pt}%
\longrest3%
\bar % bar 146 [Flöte II.]
\NOtes\qp\enotes
\notes\ccharnote{N}{\f}\isluru0p\ibbl0p{-1}\qb0{pqp}\tbbl0\tbl0\qb0o\breakslur0q\enotes
\bar % bar 147 [Flöte II.]
\notes\ccharnote{N}{\p}\ibbl0n0\qb0{non}\tbbl0\tbl0\qb0o%
\ibbl0m0\qb0{mnm}\tbbl0\tbl0\qb0n\enotes
\bar % bar 148 [Flöte II.]
\notes\ibbl0k0\qb0{klk}\tbbl0\tbl0\qb0l%
\ibbl0j0\qb0{jkj}\tbbl0\tbl0\qb0k\enotes
\bar % bar 149 [Flöte II.]
\NOtes\zcharnote{M}{\smallppff sempre\enskip\p}\curve325\tslur0i\isluru0i\ql i\enotes
\Notesp\ibl0p{-1}\tslur0p\qbp0p\enotes
\notes\tbbl0\tbl0\upz o\qb0{_o}\enotes
\bar % bar 150 [Flöte II.]
\NOtes\hqsk\isluru0n\ql{_n}\enotes
\notes\ccharnote{N}{\ff}\ibbl0q{-1}\qb0{_r_sr}\tbbl0\tbl0\qb0q\enotes
\bar % bar 151 [Flöte II.]
\notes\ccharnote{N}{\ppff(\p)}\ibbl0p0\qb0{pqp}\tbbl0\tbl0\qb0q%
\hqsk\ibbl0o0\qb0{_opo}\tbbl0\tbl0\qb0p\curve438\breakslur0r\enotes
\bar % bar 152 [Flöte II.]
\notes\hqsk\ibbl0n0\qb0{=n}\hqsk\qb0{_on}\tbbl0\tbl0\qb0o%
\ibbl0m0\qb0{mnm}\tbbl0\tbl0\qb0n\enotes
\bar % bar 153 [Flöte II.]
\NOtes\hqsk\ql{_l}\enotes
\Notesp\ibl0p{-2}\tslur0s\qbp0{_s}\enotes
\notes\tbbl0\tbl0\qb0q\enotes
\bar % bar 154 [Flöte II.]
\NOtes\hqsk\isluru0o\ql{_o}\enotes
\Notes\ccharnote{N}{\f}\tslur0s\ibl0o1\upz r\qb0{_r}\tbl0\upz s\qb0{_s}\enotes
\bar % bar 155 [Flöte II.]
\longrest1%
\bar % bar 156 [Flöte II.]
\NOtes\qp\enotes
\notes\ccharnote{N}{\p}\ibbl0q{-1}\isluru0s\qb0{=s}\hqsk\qb0{^ts}\tbbl0\tbl0\tslur0r\qb0r\enotes
\bar % bar 157 [Flöte II.]
\notes\hqsk\ibbl0q{-1}\isluru0q\usf q\qb0{=qrq}\hqsk\tbbl0\tbl0\tslur0p\qb0{=p}%
\ibbl0p{-1}\isluru0p\usf p\qb0{pqp}\tbbl0\tbl0\tslur0o\qb0o\enotes
\bar % bar 158 [Flöte II.]
\NOtes\ql o\enotes
\Notes\ccharnote{N}{\f}\isluru0n\ibl0n2\qb0{^n}\tbl0\qb0o\enotes
\bar % bar 159 [Flöte II.]
\NOtes\tslur0k\ql k\enotes
\Notes\isluru0n\ibl0n2\qb0{^n}\tbl0\qb0o\enotes
\bar % bar 160 [Flöte II.]
\notabene{19pt}{\smalltype\bf Flatterzunge}%
\NOtes\hqsk\tslur0t\trembbbl0s3\ql{^t}\enotes
\Notes\isluru0n\ibl0n2\qb0{^n}\tbl0\qb0o\enotes
\bar % bar 161 [Flöte II.]
\NOtes\tslur0k\ql k\enotes
\Notes\isluru0n\ibl0n2\qb0{^n}\tbl0\qb0o\enotes
\bar % bar 162 [Flöte II.]
\notabene{21pt}{\smalltype\bf Flatterzunge}%
\NOtes\hqsk\tslur0u\trembbbl0s3\ql{=u}\qp\enotes
\bar % bar 163-165 [Flöte II.]
\longrest3%
\bar % bar 166 [Flöte II.]
\NOtes\qp\ccharnote{N}{\ff}\isluru0s\ccharnote{v}{\smalltype\bf Flatterzunge}\trembbbl0s3\ql s\enotes
\bar % bar 167 [Flöte II.]
\NOtes\trembbbl0s3\ql r\trembbbl0s3\ql{^q}\enotes
\bar % bar 168 [Flöte II.]
\NOtes\trembbbl0s3\ql{=p}\trembbbl0s3\ql o\enotes
\bar % bar 169 [Flöte II.]
\notes\hqsk\zcharnote{N}{\p\enskip\smallppff subito}\ibbl0o0\qb0{_o}\hqsk\qb0{_po}\tbbl0\tbl0\qb0p\hqsk%
\hqsk\ibbl0n0\qb0{_non}\tbbl0\tbl0\qb0o\enotes
\bar % bar 170 [Flöte II.]
\notes\ibbl0m0\qb0m\hqsk\qb0{_nm}\tbbl0\tbl0\qb0n\hqsk%
\ibbl0l0\qb0{_lml}\tbbl0\tbl0\qb0m\enotes
\bar % bar 171 [Flöte II.]
\Notes\hqsk\tslur0l\cl{_k}\ds\cl k\ds\enotes
\bar % bar 172 [Flöte II.]
\NOtes\hqsk\isluru0k\ql{_k}\enotes
\Notes\tslur0m\ibl0l2\upz l\qb0{_l}\tbl0\upz m\qb0m\enotes
\bar % bar 173 [Flöte II.]
\NOtes\hqsk\isluru0n\ql{=n}\enotes
\Notes\tslur0n\ibl0m2\upz m\qb0m\tbl0\upz n\qb0n\enotes
\bar % bar 174 [Flöte II.]
\NOtes\hqsk\isluru0l\ql{=l}\enotes
\Notes\tslur0l\ibl0k2\upz k\qb0{=k}\tbl0\upz l\qb0l\enotes
\bar % bar 175 [Flöte II.]
\notes\multnoteskip\tinyvalue\tinynotesize\islurd0m\grcu q\enotes
\Notes\tslur0j\upz j\cl j\ds\upz j\cl j\ds\enotes
\bar % bar 176 [Flöte II.]
\NOtes\isluru0l\ql j\enotes
\notes\ccharnote{N}{\sF}\ibbl0q{-1}\qb0q\hqsk\qb0{_rq}\tbbl0\tbl0\midslur6\tslur0p\qb0p\enotes
\bar % bar 177 [Flöte II.]
\notes\hqsk\isluru0o\ccharnote{N}{\p}\ibbl0o0\qb0{=opo}\tbbl0\tbl0\qb0p%
\ibbl0n0\qb0{non}\tbbl0\tbl0\tslur0o\qb0o\enotes
\bar % bar 178 [Flöte II.]
\addspace{-\afterruleskip}\zalaligne
\mulooseness=0
\NOtes\hqsk\isluru0p\ql{^m}\enotes
\Notes\ccharnote{N}{\ff}\tslur0w\ibl0p0\upz v\qb0{=v}\tbl0\upz u\qb0u\enotes
\bar % bar 179 [Flöte II.]
\notes\hqsk\isluru0t\ibbl0p0\qb0{=tut}\tbbl0\tbl0\qb0u%
\ibbl0p0\qb0{sts}\tbbl0\tbl0\tslur0t\qb0t\enotes
% bar 180 [Flöte II.]
\generalsignature{-7}\generalmeter{\allabreve}\Changecontext%
\notabene{18pt}{\kern-2\elemskip\hbox{Sempre l'istesso tempo \normtype(\tinynotesize\hu 1\quad wie vorher \qu 1\quad)\enskip\it(nicht eilen)}}%
\NOtes\qp\enotes
\Notes\ccharnote{N}{\ff}\cl s\ds\ibl0p{-1}\qb0r\tbl0\qb0q\cl p\ds\enotes
\bar % bar 181 [Flöte II.]
\NOtes\upz o\ql o\upz l\ql l\qp\enotes
\Notes\ibl0o1\upz o\qb0o\tbl0\upz p\qb0p\enotes
\bar % bar 182 [Flöte II.]
\NOtes\upz q\ql q\upz o\ql o\upz r\ql r\upz o\ql o\enotes
\bar % bar 183 [Flöte II.]
\NOtes\upz s\ql s\upz o\ql o\qp\enotes
\Notes\ibl0p{-1}\qb0v\tbl0\qb0{=u}\enotes
\bar % bar 184 [Flöte II.]
\NOtes\hqsk\upz t\ql{=t}\upz s\ql s\upz r\ql r\upz q\ql q\enotes
\bar % bar 185 [Flöte II.]
\NOTes\hl p\enotes
\NOtes\qp\enotes
\Notes\isluru0s\ibl0o2\qb0s\tbl0\qb0{=t}\enotes
\bar % bar 186 [Flöte II.]
\Notes\hqsk\ibl0p0\qb0{=uvu}\tbl0\qb0v\ibl0p0\qb0{_tvt}\tbl0\qb0v\enotes
\bar % bar 187 [Flöte II.]
\NOTes\midslur5\tslur0s\hl s\hpause\enotes
\bar % bar 188 [Flöte II.]
\longrest1%
\bar % bar 189 [Flöte II.]
\Notes\ibl0p{-2}\isluru0q\qb0{qpo}\tbl0\qb0{=n}\tslur0o\cl o\ds\enotes
\NOtes\qp\enotes
\bar % bar 190 [Flöte II.]
\longrest1%
\bar % bar 191 [Flöte II.]
\Notes\ibl0p{-2}\isluru0r\qb0{r=qp}\tbl0\qb0{=o}\tslur0p\cl p\ds\enotes
\NOtes\qp\enotes
\bar % bar 192-194 [Flöte II.]
\longrest3%
\bar % bar 195 [Flöte II.]
\NOTes\hpause\enotes
\NOtes\qp\enotes
\Notes\ccharnote{N}{\ff}\isluru0v\ibl0o1\qb0{_v}\tbl0\qb0w\enotes
\bar % bar 196 [Flöte II.]
\Notes\hqsk\ibl0p{-1}\qb0{=x=w=v}\tbl0\midslur3\tslur0u\qb0{^u}%
\ibl0p{-1}\isluru0v\qb0{vu^t}\tbl0\tslur0s\qb0{^s}\enotes
\bar % bar 197 [Flöte II.]
\Notes\hqsk\isluru0t\ibl0p{-1}\qb0{^t=s^r}\tbl0\qb0{^q}%
\ibl0o{-2}\qb0{=p=o^n}\tbl0\tslur0m\qb0{^m}\enotes
% bar 198-208 [Flöte II.]
\generalsignature{0}\Changecontext%
\longrest{11}%
\doublebar % bar 209-214 [Flöte II.]
\addspace{-\afterruleskip}\zalaligne
\staffbotmarg=5\Interligne
\mulooseness=0
\rehearsalmark{33}{3.2}{4pt}%
\longrest6%
\bar % bar 215 [Flöte II.]
\NOTes\hpause\enotes
\NOtes\qp\enotes
\Notes\ccharnote{N}{\ff}\ibl0o1\qb0{^r}\tbl0\qb0s\enotes
\bar % bar 216 [Flöte II.]
\NOTesp\hlp o\enotes
\Notes\ibl0o1\qb0{=p}\tbl0\qb0q\enotes
\bar % bar 217 [Flöte II.]
\Notes\ibl0p{-1}\qb0r\tbl0\qb0q\enotes
\NOtes\ql p\qp\enotes
\Notes\ibl0o2\qb0q\tbl0\qb0s\enotes
\bar % bar 218 [Flöte II.]
\NOtes\hqsk\upz u\ql{^u}\upz u\ql{=u}\upz t\ql{^t}\upz t\ql{=t}\enotes
\bar % bar 219 [Flöte II.]
\NOTes\hl s\enotes
\NOtes\qp\enotes
\Notes\cl q\ds\enotes
\bar % bar 220 [Flöte II.]
\NOtesp\qlp t\enotes
\Notes\cl s\ibl0p{-1}\qb0{trt}\tbl0\qb0q\enotes
\bar % bar 221 [Flöte II.]
\Notes\cl t\ds\enotes
\NOTes\hl{=p}\enotes
\Notes\ibl0o1\qb0q\tbl0\qb0r\enotes
\bar % bar 222 [Flöte II.]
\NOtes\shottrille u\ql s\enotes
\Notes\ibl0o1\qb0{^r}\tbl0\qb0s\enotes
\NOtes\shottrille v\ql{^t}\enotes
\Notes\ibl0o1\qb0s\tbl0\qb0t\enotes
\bar % bar 223 [Flöte II.]
\NOTes\hqsk\itieu0u\hl{^u}\enotes
\Notes\ttie0\ibl0p0\qb0{us^t}\tbl0\qb0u\enotes
\bar % bar 224 [Flöte II.]
\NOtes\upz v\ql v\upz u\ql{=u}\ust t\ql{^t}\enotes
\Notes\ibl0o1\upz s\qb0s\tbl0\upz t\qb0t\enotes
\bar % bar 225 [Flöte II.]
\NOtes\upz u\ql u\upz t\ql{=t}\ust s\ql s\enotes
\Notes\ibl0o1\upz r\qb0r\tbl0\upz s\qb0s\enotes
\bar % bar 226 [Flöte II.]
\NOtes\ust t\ql t\enotes
\Notes\ibl0p{-1}\upz s\qb0s\tbl0\upz r\qb0r\enotes
\NOtes\upz q\ql q\upz r\ql r\enotes
\bar % bar 227-231 [Flöte II.]
\rehearsalmark{34}{3.0}{4pt}%
\longrest5%
\bar % bar 232 [Flöte II.]
\Notes\hqsk\ccharnote{N}{\f}\cl{_p}\ds\enotes
\NOTes\hl j\enotes
\NOtes\qp\enotes
\bar % bar 233-234 [Flöte II.]
\longrest2%
\bar % bar 235 [Flöte II.]
\Notes\lcharnote{N}{\ff\enspace}\ccharnote{N}{\sF}\ibl0p{-1}\qb0t\tbl0\qb0s\enotes
\NOtes\ql t\enotes
\NOTes\hpause\enotes
\bar % bar 236 [Flöte II.]
\Notes\ccharnote{N}{\sF}\ibl0p{-1}\upz s\qb0s\tbl0\upz r\qb0{^r}\enotes
\NOtes\upz s\ql s\enotes
\Notes\ccharnote{N}{\sF}\ibl0p{-1}\upz r\qb0{=r}\tbl0\upz q\qb0{^q}\enotes
\NOtes\upz r\ql r\enotes
\bar % bar 237 [Flöte II.]
\Notes\ccharnote{N}{\sF}\ibl0p{-1}\upz q\qb0{=q}\tbl0\upz p\qb0{=p}\enotes
\NOtes\upz q\ql q\qp\isluru0s\ql s\enotes
\bar % bar 238 [Flöte II.]
\Notes\tslur0r\ibl0p0\qb0{rsq}\tbl0\qb0r\ibl0p0\qb0{=pqo}\tbl0\qb0p\enotes
\bar % bar 239 [Flöte II.]
\Notes\ibl0n2\isluru0n\qb0n\enotes
\notes\tbbl0\tbl0\tslur0t\qb0t\qs\enotes
\NOTes\isluru0t\hl t\enotes
\Notes\tslur0v\cl v\ds\enotes
\bar % bar 240 [Flöte II.]
\NOtes\ust u\ql u\enotes
\Notes\ibl0p{-1}\upz t\qb0t\tbl0\upz s\qb0s\enotes
\NOtes\upz r\ql r\upz q\ql q\enotes
\bar % bar 241 [Flöte II.]
\NOTes\hl p\enotes
\Notes\ds\ibl0p{-1}\qb0{ts}\tbl0\qb0r\enotes
\bar % bar 242-260 [Flöte II.]
\longrest{19}%
\bar % bar 261 [Flöte II.]
\guideexcerptstyle%
\znotes\zcharnote{N}{\smalltype Ob., Klar., Hrn.}\enotes
\NOTesp\tinynotesize\hpause\enotes
\Notes\tinynotesize\upz h\cl h\ds\upz i\cl i\ds\enotes
\excerptpause2%
% bar 262 [Flöte II.]
\generalmeter{\meterfrac24}\Changecontext%
\notabene{10pt}{\kern-2\elemskip\hbox{l'istesso tempo \normtype(\tinynotesize\qu 1\quad wie fr\"uher \hu 1\quad)}}%
\NOtes\tinynotesize\hqsk\ust j\ql{^j}\enotes
\Notes\tinynotesize\ibl0i2\upz i\qb0i\tbl0\upz j\qb0j\enotes
\excerptpause2%
\xbar % bar 263 [Flöte II.]
\NOTes\tinynotesize\ust h\ql h\enotes
\Notes\tinynotesize\ibl0g2\upz g\qb0g\tbl0\upz h\qb0h\enotes
\excerptpause2%
\defaultskipstyle%
\bar % bar 264-274 [Flöte II.]
\longrest{11}%
\bar % bar 275 [Flöte II.]
\addspace{-\afterruleskip}\zalaligne
\NOtes\qp\enotes
\notes\ccharnote{N}{\p}\isluru0s\ibbl0q{-1}\qb0{sts}\tbbl0\tbl0\qb0r\enotes
\bar % bar 276 [Flöte II.]
\notes\hqsk\ibbl0p0\qb0{=qrq}\tbbl0\tbl0\qb0r\ibbl0p0\qb0{pqp}\tbbl0\tbl0\qb0q\enotes
\bar % bar 277 [Flöte II.]
\notes\ibbl0o0\qb0{opo}\tbbl0\tbl0\qb0p\ibbl0n0\qb0{non}\tbbl0\tbl0\tslur0o\qb0o\enotes
\bar % bar 278 [Flöte II.]
\NOtes\hqsk\ccharnote{N}{\pp}\isluru0m\ql{=m}\enotes
\Notesp\tslur0t\ibl0p{-2}\qbp0{=t}\enotes
\notes\tbbl0\tbl0\qb0r\enotes
\bar % bar 279 [Flöte II.]
\NOtes\hqsk\isluru0p\ql{_p}\enotes
\notes\ibbl0q{-1}\qb0{rsr}\tbbl0\tbl0\qb0q\enotes
\bar % bar 280 [Flöte II.]
\notes\hqsk\ibbl0p0\qb0{_pqp}\tbbl0\tbl0\qb0q\ibbl0o0\qb0{opo}\tbbl0\tbl0\qb0p\enotes
\bar % bar 281 [Flöte II.]
\notes\hqsk\ibbl0n0\qb0{=non}\tbbl0\tbl0\qb0o\ibbl0m0\qb0{mnm}\tbbl0\tbl0\qb0n\enotes
\bar % bar 282 [Flöte II.]
\NOtes\hqsk\ql{_l}\enotes
\Notesp\tslur0s\ibl0p{-3}\qbp0{_s}\enotes
\notes\tbbl0\tbl0\qb0{_p}\enotes
\bar % bar 283 [Flöte II.]
\NOtes\isluru0n\ql n\enotes
\Notes\tslur0p\ibl0o1\ccharnote{N}{\ff}\upz o\qb0{_o}\tbl0\upz p\qb0{_p}\enotes
\bar % bar 284 [Flöte II.]
\longrest1%
\bar % bar 285 [Flöte II.]
\NOtes\qp\enotes
\notes\ccharnote{N}{\f}\roff{\icresc}\isluru0p\ibbl0p{-1}\qb0{=pqp}\tbbl0\tbl0\zcharnote{a}{\tdecresc}\qb0o\enotes
\bar % bar 286 [Flöte II.]
\notes\hqsk\ccharnote{N}{\p}\ibbl0n{-1}\qb0{^non}\hqsk\tbbl0\tbl0\tslur0m\qb0{^m}%
\ibbl0m{-1}\isluru0m\qb0{mnm}\tbbl0\tbl0\tslur0l\qb0l\enotes
\bar % bar 287 [Flöte II.]
\NOtes\ql l\qp\enotes
\bar % bar 288-295 [Flöte II.]
\longrest8%
\bar % bar 296-308 [Flöte II.]
\rehearsalmark{35}{3.0}{0pt}%
\longrest{13}%
\bar % bar 309 [Flöte II.]
\NOtes\qp\enotes
\notes\ccharnote{N}{\ff}\isluru0r\ibbl0p0\qb0{rsr}\tbbl0\tbl0\qb0s\enotes
\bar % bar 310 [Flöte II.]
\notes\ibbl0p{-1}\qb0{qr}\hqsk\qb0{_p}\tbbl0\tbl0\qb0q%
\ibbl0o{-1}\qb0{opn}\tbbl0\tbl0\tslur0o\qb0o\enotes
\generalmeter{\allabreve}\Changecontext%
\addspace{-\afterruleskip}\zalaligne
% bar 311-319 [Flöte II.]
\mulooseness=-1
\addspace{-\afterruleskip}%
\generalmeter{\allabreve}\zchangecontext%
\notabene{3pt}{\vbox{\hbox{Sempre l'istesso tempo}\hbox{\normtype(\tinynotesize\hu 1\quad wie vorher \qu 1\quad)}}}%
\longrest9%
% bar 320 [Flöte II.]
\generalsignature{-4}\Changecontext%
\guideexcerptstyle%
\znotes\zcharnote{M}{\smalltype Ob., Vln.~I.}\enotes
\NOTes\tinynotesize\isluru0j\hl j\enotes
\Notes\tinynotesize\ibl0k0\qb0{kji}\tbl0\qb0j\enotes
\excerptpause{-3}%
\bar % bar 321 [Flöte II.]
\Notes\tinynotesize\tslur0k\cl k\ds\cu{=g}\ds\enotes
\NOTes\tinynotesize\hl{=o}\enotes
\excerptpause{-3}%
\defaultskipstyle%
\bar % bar 322-323 [Flöte II.]
\longrest2%
\bar % bar 324 [Flöte II.]
\NOtesp\hqsk\ccharnote{N}{\ff}\qlp{=s}\enotes
\Notes\cl{^n}\enotes
\NOtesp\qlp{^r}\enotes
\Notes\cl{^m}\enotes
\bar % bar 325 [Flöte II.]
\NOtes\hqsk\isluru0q\ql{^q}\enotes
\Notes\tslur0w\cl{=v}\ds\enotes
\NOTes\hpause\enotes
\bar % bar 326 [Flöte II.]
\longrest1%
\bar % bar 327 [Flöte II.]
\NOtes\qp\enotes
\NOtesp\isluru0p\qlp{_p}\enotes
\Notes\ibl0p{-1}\qb0{rq}\tbl0\tslur0p\qb0p\enotes
\bar % bar 328 [Flöte II.]
\longrest1%
\bar % bar 329-336 [Flöte II.]
\rehearsalmark{36}{3.0}{0pt}%
\longrest8%
\bar % bar 337 [Flöte II.]
\NOTes\hpause\enotes
\NOtes\qp\enotes
\Notes\ccharnote{N}{\ff}\ibl0o1\qb0r\tbl0\qb0s\enotes
\bar % bar 338 [Flöte II.]
\Notes\ibl0p0\isluru0t\qb0{t_ut}\tbl0\tslur0u\qb0u%
\ibl0p0\isluru0r\qb0{rsr}\tbl0\tslur0s\qb0s\enotes
\bar % bar 339 [Flöte II.]
\Notes\hqsk\ibl0p0\isluru0s\qb0{=sts}\tbl0\tslur0t\qb0t\enotes
\NOtes\qp\enotes
\Notes\ibl0o{-2}\isluru0s\qb0{_s}\tbl0\qb0r\enotes
\bar % bar 340 [Flöte II.]
\Notes\ibl0p{-2}\qb0{qp=o}\tbl0\qb0{=n}\ibl0o0\qb0{opq}\tbl0\qb0o\enotes
\bar % bar 341 [Flöte II.]
\NOTes\tslur0p\hl p\enotes
\Notes\ds\ibl0m2\qb0{m=o}\tbl0\qb0p\enotes
\bar % bar 342-346 [Flöte II.]
\longrest5%
% bar 347 [Flöte II.]
\generalsignature{2}\Changecontext%
\NOTes\hqsk\ccharnote{N}{\ff}\zcharnote{x}{\smalltype\bf Flatterzunge}\trembbbl0s3\hl{=v}\trembbbl0s3\hl v\enotes
\bar % bar 348 [Flöte II.]
\NOTes\icresc\trembbbl0s3\hl v\trembbbl0s3\hl v\enotes
\xbar % bar 349 [Flöte II.]
\NOTes\trembbbl0s3\hl v\trembbbl0s3\hl v\enotes
%znotes\roff{\zcharnote{a}{\tdecresc}}\enotes
\xbar % bar 350 [Flöte II.]
%znotes\loffset2{\icresc}\enotes
\NOTEs\itieu0v\wh v\loff{\zcharnote{a}{\tdecresc}}\enotes
\bar % bar 351 [Flöte II.]
\NOTEs\ccharnote{N}{\pp}\ttie0\wh v\enotes
\bar % bar 352-353 [Flöte II.]
\longrest2%
\bar % bar 354-369 [Flöte II.]
\notabene{25pt}{Etwas gehalten}%
\longrest{16}%
\bar % bar 370 [Flöte II.]
\NOTEs\ccharnote{N}{\ff}\isluru0o\wh o\enotes
\bar % bar 371 [Flöte II.]
\NOTEs\tslur0u\wh u\enotes
\bar % bar 372-373 [Flöte II.]
\longrest2%
\bar % bar 374 [Flöte II.]
\NOTEs\ccharnote{N}{\pp}\isluru0v\wh v\enotes
\bar % bar 375 [Flöte II.]
\NOtes\tslur0u\ql{utst}\enotes
\bar % bar 376 [Flöte II.]
\NOTEs\itieu0o\wh o\enotes
\bar % bar 377 [Flöte II.]
\NOTEs\ttie0\wh o\enotes
\bar % bar 378 [Flöte II.]
\NOTes\usf q\hl q\usf p\hl p\enotes
\bar % bar 379 [Flöte II.]
\NOTes\usf o\hl o\usf n\hl n\enotes
\bar % bar 380-387 [Flöte II.]
\rehearsalmark{37}{3.0}{0pt}%
\longrest8%
\bar % bar 388 [Flöte II.]
\NOTEs\ccharnote{N}{\p}\zcharnote{N}{\quad\textleader{30}{\smallppff cresc.}}\isluru0q\wh q\enotes
\bar % bar 389 [Flöte II.]
\NOtes\tslur0r\ql{rq^pq}\enotes
\bar % bar 390 [Flöte II.]
\NOTEs\itieu0v\wh v\enotes
\bar % bar 391 [Flöte II.]
\NOTEs\ccharnote{N}{\f}\ttie0\wh v\enotes
\bar % bar 392-393 [Flöte II.]
\longrest2%
\bar % bar 394-403 [Flöte II.]
\notabene{10pt}{\vbox{\hbox{Mit gro\ss er}\hbox{\enskip Empfindung}}}%
\longrest{10}%
\bar % bar 404 [Flöte II.]
\rehearsalmark{38}{3.0}{5pt}%
\znotes\ccharnote{N}{\p}\zcharnote{N}{\quad\textleader{63}{\smallppff cresc.}}\enotes
\NOTEs\isluru0o\wh o\enotes
\bar % bar 405 [Flöte II.]
\NOTes\tslur0n\hl{n^m}\enotes
\bar % bar 406 [Flöte II.]
\NOTes\hqsk\hl{^lm}\enotes
\bar % bar 407 [Flöte II.]
\NOTes\hl{o=n}\enotes
\bar % bar 408 [Flöte II.]
\NOTes\hl{ml}\enotes
\bar % bar 409 [Flöte II.]
\NOTes\hqsk\hl{=po}\enotes
\bar % bar 410 [Flöte II.]
\NOTes\hqsk\ccharnote{N}{\f}\hl{=n=m}\enotes
\bar % bar 411 [Flöte II.]
\NOTes\hl{l=m}\enotes
\bar % bar 412 [Flöte II.]
\NOTes\hqsk\hl{=q}\zcharnote{N}{\textleader{14}{\smallppff cresc.}}\hl{_p}\enotes
\bar % bar 413 [Flöte II.]
\NOTes\hl{o_p}\enotes
\bar % bar 414 [Flöte II.]
\NOTEs\ccharnote{N}{\ff}\isluru0r\wh r\enotes
\bar % bar 415 [Flöte II.]
\NOTEs\hqsk\tslur0q\itieu0q\wh{^q}\enotes
\bar % bar 416 [Flöte II.]
\NOTEs\ttie0\wh q\enotes
\bar % bar 417 [Flöte II.]
\NOTEs\hqsk\wh{=p}\enotes
\bar % bar 418 [Flöte II.]
\NOTes\hqsk\hl{^op}\enotes
\bar % bar 419 [Flöte II.]
\NOTEs\itieu0r\wh r\enotes
\bar % bar 420 [Flöte II.]
\NOTes\ttie0\hl r\usf q\hl q\enotes
\bar % bar 421 [Flöte II.]
\NOTes\usf p\hl p\usf o\hl o\enotes
\bar % bar 422-423 [Flöte II.]
\longrest2%
\bar % bar 424 [Flöte II.]
\NOtes\ccharnote{N}{\p}\ql{nmlm}\enotes
\bar % bar 425 [Flöte II.]
\NOTes\hl k\hu h\enotes
\bar % bar 426-431 [Flöte II.]
\longrest6%
\bar % bar 432 [Flöte II.]
\NOTEs\hqsk\ccharnote{N}{\ff}\isluru0p\wh{_p}\enotes
\bar % bar 433 [Flöte II.]
\NOtes\tslur0o\ql{on^mn}\enotes
\bar % bar 434 [Flöte II.]
\NOTEs\hqsk\zcharnote{a}{\decrescendo{9\elemskip}}\isluru0m\usf n\wh{=m}\enotes
\xbar % bar 435 [Flöte II.]
\NOTEs\tslur0l\wh l\enotes
\bar % bar 436 [Flöte II.]
\NOTEs\ccharnote{N}{\sF}\zcharnote{a}{\quad\decrescendo{10\elemskip}}\ccharnote{N}{\sF}\isluru0k\wh k\enotes
\xbar % bar 437 [Flöte II.]
\NOTEs\tslur0j\wh j\enotes
\bar % bar 438 [Flöte II.]
\NOTEs\hqsk\ccharnote{N}{\sF}\roff{\icresc}\itied0h\wh{_h}\enotes
%znotes\roff{\zcharnote{a}{\tdecresc}}\enotes
\xbar % bar 439 [Flöte II.]
%znotes\loffset3{\icresc}\enotes
\NOTEs\zcharnote{a}{\enskip\tdecresc}\ttie0\wh h\enotes
\bar % bar 440-445 [Flöte II.]
\longrest6%
\bar % bar 446 [Flöte II.]
\rehearsalmark{39}{3.0}{0pt}%
\qspace
\NOTesp\ccharnote{N}{\f}\roff{\icresc}\isluru0u\hlp u\enotes
\NOtes\ql{=t}\enotes
\xbar % bar 447 [Flöte II.]
\NOtes\hqsk\loff{\lcharnote{a}{\tdecresc}}\ccharnote{N}{\p}\ql{_s}\enotes
\Notes\ibl0p{-2}\qb0{^t}\tbl0\qb0r\enotes
\NOTes\tslur0q\hl{^q}\enotes
\bar % bar 448-449 [Flöte II.]
\longrest2%
\bar % bar 450 [Flöte II.]
\NOTes\hqsk\ccharnote{N}{\ff}\zcharnote{a}{\quad\decrescendo{17\elemskip}}\zcharnote{v}{\smalltype\bf Flatterzunge}\trembbbl0s3\hl{=t}\trembbbl0s3\hl t\enotes
\xbar % bar 451 [Flöte II.]
\NOTes\hqsk\trembbbl0s3\hl{=t}\trembbbl0s3\hl t\lcharnote{N}{\pp}\enotes
\bar % bar 452-455 [Flöte II.]
\longrest4%
\bar % bar 456 [Flöte II.]
\NOTesp\hqsk\ccharnote{N}{\ff}\roff{\icresc}\isluru0s\hlp{_s}\enotes
\NOtes\tslur0r\ql{_r}\zcharnote{a}{\tdecresc}\enotes
\bar % bar 457 [Flöte II.]
\NOtes\hqsk\ccharnote{N}{\pp}\isluru0q\ql{_q}\enotes
\Notes\ibl0p{-2}\qb0{=r}\tbl0\qb0{_p}\enotes
\NOTes\tslur0o\hl{=o}\enotes
\bar % bar 458-472 [Flöte II.]
\notabene{0pt}{Nicht eilen}%
\longrest{15}%
\bar % bar 473 [Flöte II.]
\NOTEs\itieu0s\ccharnote{N}{\fp}\wh s\enotes
\bar % bar 474 [Flöte II.]
\NOTEs\ttie0\hlpp s\enotes
\Notes\ds\enotes
\bar % bar 475 [Flöte II.]
\NOTes\usf r\hl r\usf p\hl p\enotes
\bar % bar 476 [Flöte II.]
\NOTes\hl k\enotes
\NOtes\qp\enotes
\Notes\cl r\ds\enotes
\bar % bar 477 [Flöte II.]
\NOTes\hqsk\icresc\usf q\hl{=q}\roff{\zcharnote{a}{\tcresc}}\usf n\hl n\enotes
\bar % bar 478 [Flöte II.]
\NOTEs\hqsk\ust j\hlpp{^j}\enotes
\Notes\ds\enotes
\bar % bar 479 [Flöte II.]
\NOTes\hqsk\ccharnote{N}{\f}\hu{=fd}\enotes
\bar % bar 480 [Flöte II.]
\NOtes\hqsk\qu{^f}\qp\enotes
\NOTes\hpause\enotes
\bar % bar 481-493 [Flöte II.]
\longrest{13}%
\bar % bar 494 [Flöte II.]
\rehearsalmark{40}{3.0}{4pt}%
\NOtes\ccharnote{N}{\f}\ql{ml^kl}\enotes
\bar % bar 495 [Flöte II.]
\NOTes\hqsk\hl{=j}\hu{=g}\enotes
\bar % bar 496-503 [Flöte II.]
\stafftopmarg=3\Interligne
\staffbotmarg=0\Interligne
\longrest8%
\bar % bar 504 [Flöte II.]
\NOTEs\islurd0e\lsf e\wh e\enotes
\bar % bar 505 [Flöte II.]
\NOTes\hqsk\tslur0c\hu{=c}\hpause\enotes
\bar % bar 506 [Flöte II.]
\NOTes\hqsk\ccharnote{N}{\sF\p}\islurd0g\hu{^g}\enotes
\NOtes\tslur0e\qu e\qp\enotes
\bar % bar 507 [Flöte II.]
\NOTes\hqsk\ccharnote{N}{\sF}\islurd0g\hu{^g}\enotes
\NOtes\tslur0e\qu e\qp\enotes
\bar % bar 508 [Flöte II.]
\NOTes\ccharnote{L}{\sF\p}\isluru0j\hl j\enotes
\NOtes\tslur0e\qu e\qp\enotes
\bar % bar 509 [Flöte II.]
\NOTes\ccharnote{L}{\sF\p}\isluru0j\hl j\enotes
\NOtes\tslur0f\qu{=f}\qp\enotes
\bar % bar 510-516 [Flöte II.]
\addspace{-\afterruleskip}\zalaligne
\mulooseness=-2
\longrest7%
\bar % bar 517 [Flöte II.]
\NOTes\hpause\enotes
\NOtes\qp\enotes
\Notes\ccharnote{N}{\ppp}\ibl0k2\upz k\qb0{_k}\tbl0\upz l\qb0{_l}\enotes
\bar % bar 518 [Flöte II.]
\Notes\hqsk\ibl0n0\isluru0n\qb0{=m_nm}\tbl0\tslur0n\qb0n%
\ibl0l0\isluru0m\qb0{_k_lk}\tbl0\tslur0m\qb0l\enotes
\bar % bar 519 [Flöte II.]
\Notes\hqsk\ibl0m0\isluru0n\qb0{_m_nm}\tbl0\tslur0o\qb0n\enotes
\NOtes\qp\enotes
\Notes\isluru0l\ibl0l{-2}\qb0{_l}\tbl0\qb0{_k}\enotes
\bar % bar 520 [Flöte II.]
\Notes\hqsk\ibl0j{-3}\qb0{=j_i_h}\tbl0\qb0g\ibl0h0\qb0{hij}\tbl0\qb0h\enotes
\bar % bar 521 [Flöte II.]
\Notes\ibu0g{-2}\qb0{g^f=e}\tbu0\qb0{^d}\ibu0g0\qb0{efg}\tbu0\tslur0m\qb0e\enotes
% bar 522 [Flöte II.]
\generalsignature{0}\Changecontext%
\notabene{24pt}{Tempo~I. subito}%
\NOtes\qp\enotes
\Notes\ccharnote{N}{\ff}\cl v\ds\ibl0p{-1}\qb0u\tbl0\qb0t\cl s\ds\enotes
\bar % bar 523 [Flöte II.]
\Notes\cl r\ds\cl p\ds\enotes
\NOtes\qp\enotes
\Notes\ibl0j2\qb0j\tbl0\qb0k\enotes
\bar % bar 524 [Flöte II.]
\Notes\ibl0l3\isluru0l\qb0l\enotes
\notes\tbbl0\tbl0\tslur0q\qb0q\qs\enotes
\NOTes\hl q\enotes
\Notes\ibl0o2\qb0p\tbl0\qb0q\enotes
\bar % bar 525 [Flöte II.]
\Notes\cl o\ds\ibl0n2\qb0n\tbl0\qb0o\cl m\ds\ibl0l2\qb0l\tbl0\qb0m\enotes
\bar % bar 526 [Flöte II.]
\Notes\ibl0k3\isluru0k\qb0k\enotes
\notes\tbbl0\tbl0\tslur0p\qb0p\qs\enotes
\NOTes\hl p\enotes
\NOtes\upz o\ql o\enotes
\bar % bar 527 [Flöte II.]
\NOtes\hqsk\shottrille p\ql{^n}\enotes
\Notes\cl{^m}\ds\cl m\ds\ibl0l{-2}\qb0l\tbl0\qb0k\enotes
\bar % bar 528 [Flöte II.]
\Notes\ibl0j3\qb0{jlo}\tbl0\qb0q\enotes
\NOtes\shottrille u\ql s\enotes
\Notes\ibl0p{-1}\qb0r\tbl0\qb0q\enotes
\bar % bar 529 [Flöte II.]
\Notes\ibl0p{-3}\qb0{pon}\tbl0\qb0m\ibl0l{-3}\qb0{lkj}\tbl0\qb0i\enotes
\bar % bar 530 [Flöte II.]
\NOTes\hpause\enotes
\NOtes\qp\enotes
\Notes\cl l\ds\enotes
\bar % bar 531 [Flöte II.]
\NOtesp\qlp o\enotes
\notes\ibbl0o2\qb0o\tbbl0\tbl0\qb0q\enotes
\NOtesp\qlp s\enotes
\notes\ibbl0o2\qb0s\hqsk\tbbl0\tbl0\qb0{^t}\enotes
\bar % bar 532 [Flöte II.]
\Notes\ibl0o0\qb0{u^ts}\tbl0\qb0u\ibl0o0\qb0{tsr}\tbl0\qb0t\enotes
\bar % bar 533 [Flöte II.]
\NOTes\hl s\enotes
\NOtes\qp\enotes
\notes\isluru0t\triolet v\ibl0o1\qb0s\hqsk\qb0{^t}\hqsk\tbl0\qb0{^u}\enotes
\bar % bar 534 [Flöte II.]
\Notes\tslur0v\ibl0p{-1}\qb0v\tbl0\qb0{^u}\cl v\ds%
\ibl0p{-1}\shake y\qb0v\tbl0\qb0u\cl v\ds\enotes
\bar % bar 535 [Flöte II.]
\notes\multnoteskip\tinyvalue\tinynotesize\isluru0z\ibbu0v3\qb0v\tbbu0\tbu0\qb0w\enotes
\NOtesp\tslur0x\isluru0x\qlp x\enotes
\Notes\tslur0w\cl w\ibl0p{-1}\qb0{v=u=t}\tbl0\qb0s\enotes
\bar % bar 536 [Flöte II.]
\NOtes\hqsk\shottrille v\ql{^t}\enotes
\Notes\ibl0o1\qb0s\tbl0\qb0t\enotes
\NOtes\shottrille w\ql u\enotes
\Notes\ibl0o1\qb0t\tbl0\qb0u\enotes
\bar % bar 537 [Flöte II.]
\NOTes\ccharnote{N}{\sF}\ITrille0s\hl q\Ttrille0%
\ccharnote{N}{\sF}\ITrille0s\hl q\Ttrille0\enotes
\bar % bar 538 [Flöte II.]
\notes\multnoteskip\tinyvalue\tinynotesize\islurd0n\ibbu0o3\qb0o\tbbu0\tbu0\qb0p\enotes
\Notes\tslur0o\ibl0o3\isluru0q\qb0q\enotes
\notes\tbbl0\tbl0\tslur0u\qb0{^t}\qs\enotes
\NOTes\hl t\enotes
\Notes\ibl0o1\qb0t\tbl0\qb0{^u}\enotes
\bar % bar 539 [Flöte II.]
\notes\multnoteskip\tinyvalue\tinynotesize\islurd0o\grcu{^u}\enotes
\NOTes\hqsk\shottrille n\tslur0i\hl{^k}\enotes
\NOtes\qp\enotes
\Notes\ibl0l2\qb0l\tbl0\qb0{=m}\enotes
\bar % bar 540 [Flöte II.]
\Notes\cu h\ds\ibl0i2\qb0i\tbl0\qb0{^j}\cu{^g}\ds\ibu0f2\qb0{^f}\tbu0\qb0g\enotes
\bar % bar 541 [Flöte II.]
\Notes\ibu0i0\qb0{h^ji}\tbu0\qb0h\ibu0g0\qb0{^gih}\tbu0\qb0g\enotes
\bar % bar 542-544 [Flöte II.]
\longrest3%
\bar % bar 545 [Flöte II.]
\NOTes\hpause\enotes
\NOtes\qp\enotes
\Notes\cl{^j}\ds\enotes
\bar % bar 546 [Flöte II.]
\NOTes\hu{hg}\enotes
\bar % bar 547 [Flöte II.]
\NOTes\hqsk\hu{^f}\hpause\enotes
\bar % bar 548-552 [Flöte II.]
\longrest5%
\bar % bar 553 [Flöte II.]
\NOTes\hpause\enotes
\NOtes\qp\enotes
\Notes\ccharnote{N}{\f}\upz o\cl{^o}\ds\enotes
\bar % bar 554 [Flöte II.]
\rehearsalmark{41}{3.0}{13pt}%
\NOtes\hqsk\isluru0q\ql{^q}\enotes
\Notes\tslur0p\cl p\ds\cl{^o}\ds\cl{^n}\ds\enotes
\bar % bar 555 [Flöte II.]
\NOTes\hqsk\hl{^m>m}\enotes
\bar % bar 556 [Flöte II.]
\NOtes\hqsk\isluru0o\ql{=o}\enotes
\Notes\tslur0n\cl{=n}\ds\cl{^m}\ds\cl l\ds\enotes
\bar % bar 557 [Flöte II.]
\NOTes\hqsk\hl{=k}\hpause\enotes
\bar % bar 558-560 [Flöte II.]
\longrest3%
\bar % bar 561 [Flöte II.]
\NOTes\hpause\enotes
\NOtes\qp\enotes
\Notes\ccharnote{N}{\p}\upz n\cl{^n}\enotes
\bar % bar 562 [Flöte II.]
\NOtesp\qlp o\enotes
\Notes\upz l\cl l\enotes
\NOtesp\qlp m\enotes
\Notes\upz k\cl{^k}\enotes
\bar % bar 563 [Flöte II.]
\NOtesp\qlp l\enotes
\Notes\lpz f\cu{^f}\enotes
\NOtesp\qup g\enotes
\Notes\upz m\cl{^m}\enotes
\bar % bar 564 [Flöte II.]
\NOtesp\qlp n\enotes
\Notes\upz p\cl p\enotes
\NOtesp\qlp q\enotes
\Notes\upz o\cl{^o}\enotes
\bar % bar 565 [Flöte II.]
\Notes\zcharnote{N}{\smallppff stacc.}\ibl0o2\upz p\qb0p\tbl0\upz q\qb0{^q}\enotes
\NOtes\upz p\ql p\enotes
\Notes\ibl0l2\upz l\qb0l\tbl0\upz m\qb0m\enotes
\NOtes\upz l\ql l\enotes
\bar % bar 566 [Flöte II.]
\Notes\ibl0m{-2}\upz m\qb0m\tbl0\upz l\qb0l\enotes
\NOtes\upz m\ql m\qp\enotes
\Notes\ibl0p{-1}\upz q\qb0q\tbl0\upz p\qb0p\enotes
\bar % bar 567 [Flöte II.]
\Notes\upz q\cl q\ds\ibl0n2\upz n\qb0n\tbl0\upz o\qb0{_o}%
\upz n\cl n\ds\ibl0l2\upz l\qb0l\tbl0\upz m\qb0m\enotes
\bar % bar 568 [Flöte II.]
\Notes\cl l\ds\ibl0j2\upz j\qb0j\tbl0\upz k\qb0k\upz j\cl j\ds\enotes
\NOtes\isluru0h\qu{^h}\enotes
\bar % bar 569 [Flöte II.]
\Notes\tslur0i\cl i\ds\enotes
\NOtes\qp\qp\enotes
\Notes\cu{^g}\ds\enotes
\bar % bar 570 [Flöte II.]
\NOtes\hqsk\isluru0l\qu{=h}\enotes
\Notes\tslur0m\cl m\ds\enotes
\NOtes\qp\islurd0f\qu{^f}\enotes
\bar % bar 571 [Flöte II.]
\Notes\tslur0g\cu g\ds\enotes
\NOtes\qp\qp\enotes
\Notes\ibu0c2\qb0c\tbu0\qb0d\enotes
\bar % bar 572 [Flöte II.]