FloteII1.tex

% format tex
% % % % % % % % % % % % % % % %
% Flöte II.
\startbarno1
\message{Flöte II. I.Satz}
\generalmeter{\meterfrac44}
\generalsignature{2}
%setname1{Flöte II.}
\setclef1\treble
\mulooseness=0

\stafftopmarg=0\Interligne
\stafftopmarg=3.5\Interligne
\nobarnumbers
\startpiece
\systemnumbers
% bar 1-8 [Flöte II.]
\znotes\uptext{\kern -1.4\elemskip\raise 20pt\hbox{\bigtype
 Andante comodo}}\enotes
\qspace
\longrest8%
\bar % bar 9-16 [Flöte I.]
\rehearsalmark{1}{2.5}{0pt}%
\longrest8%
% bar 17 [Flöte II.]
\generalmeter{\meterfrac64}\changecontext
\longrest1%
% bar 18-25 [Flöte II.]
\generalmeter{\meterfrac44}\changecontext
\rehearsalmark{2}{5.0}{0pt}%
\longrest8%
% bar 26 [Flöte II.]
\generalmeter{\meterfrac64}\changecontext
\longrest1%
% bar 27-28 [Flöte II.]
\generalsignature{-1}%
\generalmeter{\meterfrac44}\Changecontext
\longrest2%
\bar % bar 29 [Flöte II.]
\guideexcerptstyle%
\znotes\zcharnote{o}{\smalltype Vln.~I}\enotes
\Notes\tinynotesize\ds\islurd0a\cu a\enotes
\NOtesp\tinynotesize\hqsk\tslur0c\qup{^c}\enotes
\Notes\tinynotesize\islurd0N\ibu0e2\qb0{^Na}\hqsk\tbu0\tslur0c\qb0{^c}\enotes
\excerptpause1%
\bar % bar 30 [Flöte II.]
\Notes\tinynotesize\islurd0f\ibu0g3\qb0f\enotes
\notes\tinynotesize\hqsk\tbbu0\tbu0\tslur0g\qb0{^g}\qs\enotes
\NOtesp\tinynotesize\rlap{\varline{2}{2\elemskip}{-12}}\islurd0g\qup g\enotes
\Notes\tinynotesize\ibu0f3\qb0{^cd}\tbu0\midslur{-5}\tslur0f\qb0f\enotes
\excerptpause1%
\defaultskipstyle%
\bar % bar 31-35 [Flöte II.]
\longrest5%
\bar % bar 36-37 [Flöte II.]
\rehearsalmark{3}{2.5}{0pt}%
\longrest2%
\bar % bar 38 [Flöte II.]
\Notes\multnoteskip{.72}\uptrio p20\ds\zcharnote{N}{\ff}\ds\hqsk\isluru0j\cl{=i}\tslur0k%
	\hqsk\triolet q\ibl0j2\qb0{^j}\upz n\qb0m\tbl0\upz p\qb0o\enotes
\NOTes\hqsk\itieu0q\hl{^q}\enotes
\bar % bar 39 [Flöte II.]
\Notes\ttie0\isluru0q\ibl0o2\qb0q\enotes
\notes\tslur0t\tbbl0\tbl0\qb0t\qs\enotes
\NOTes\hl t\enotes
\NOtes\qp\enotes
\bar % bar 40 [Flöte II.]
\NOtes\isluru0u\ql u\enotes
\Notes\tslur0t\cl t\ds\enotes
\NOTes\hpause\enotes
\bar % bar 41 [Flöte II.]
\longrest1%
\bar % bar 42 [Flöte II.]
\notes\multnoteskip\tinyvalue\tinynotesize\isluru0s\grcu o\enotes
\NOtesp\ccharnote{N}{\ff}\tslur0v\roff{\isluru0t}\qlp v\enotes
\Notes\tslur0l\cl{=i}\enotes
\NOTes\hpause\enotes
\bar % bar 43 [Flöte II.]
\longrest1%
\bar % bar 44 [Flöte II.]
\NOtes\qp\enotes
\NOTesp\itieu0p\lcharnote{N}{\p}\zcharnote{a}{\crescendo{4\elemskip}}\hlp o\enotes
\bar % bar 45 [Flöte II.]
\NOTesp\zcharnote{N}{\smallppff molto cresc.}\ttie0\ITrille0q\upperfl r\hlp o\Ttrille0\enotes
\NOtes\ITrille0q\upperna r\ql o\Ttrille0\enotes
% bar 46 [Flöte II.]
\generalmeter{\meterfrac64}\changecontext
\notabene{10pt}{Rit.}%
\NOTes\hpause\enotes
\NOtes\ccharnote{N}{\sF}\isluru0q\ql{^q}\enotes
\Notes\tslur0k\cl{^j}\ds\enotes
\NOtes\qp\ccharnote{N}{\sF}\isluru0t\ql{^t}\enotes
\generalsignature{2}%
\generalmeter{\meterfrac44}\Changecontext
\addspace{-\afterruleskip}\zalaligne
% bar 47 [Flöte II.]
\mulooseness=-1
\addspace{-\afterruleskip}%
\generalmeter{\meterfrac44}\zchangecontext
\notabenenb{13pt}{a tempo}%
\NOtes\tslur0l\ql l\qp\qp\ccharnote{c}{\sF}\isluru0v\ql v\enotes
\bar % bar 48 [Flöte II.]
\NOtes\tslur0p\ql n\qp\enotes
\Notes\ds\isluru0m\ibl0k{-5}\qb0{mk}\tbl0\tslur0g\qb0f\enotes
\bar % bar 49 [Flöte II.]
\NOtesp\isluru0p\qlp p\enotes
\NOtes\tslur0m\ql m\enotes
\Notes\isluru0n\ibl0n2\qb0{np}\tbl0\tslur0s\qb0s\enotes
\bar % bar 50 [Flöte II.]
\NOtes\isluru0s\ql s\tslur0r\ql r\qp\enotes
\Notes\isluru0q\ibl0p{-3}\qb0q\tbl0\tslur0n\qb0n\enotes
\bar % bar 51 [Flöte II.]
\NOtesp\isluru0t\qlp t\enotes
\Notes\tslur0o\cl o\enotes
\NOtes\qp\enotes
\Notes\isluru0q\ibl0n3\qb0p\enotes
\notes\tbbl0\tbl0\tslur0u\qb0u\qs\enotes
\bar % bar 52 [Flöte II.]
\Notes\isluru0u\ibl0p{-1}\qb0u\tbl0\qb0t\enotes
\NOtes\tslur0o\ql o\qp\enotes
\Notes\isluru0s\ibl0o{-1}\qb0s\tbl0\tslur0r\qb0r\enotes
\bar % bar 53 [Flöte II.]
\Notes\zcharnote{a}{\smallppff cresc.}\ibl0o{-2}\isluru0q\qb0q%
	\tslur0p\qb0p\isluru0o\qb0o\tbl0\tslur0k\qb0k\enotes
\NOtesp\isluru0o\qlp n\enotes
\Notes\tslur0m\cl m\enotes
\bar % bar 54 [Flöte II.]
\NOtes\qp\lcharnote{N}{\sF~}\icresc\islurd0g\qu g\enotes
\NOTes\zcharnote{a}{\tdecresc}\zcharnote{N}{\p}\tslur0f\hu{=f}\enotes
\bar % bar 55 [Flöte II.]
\NOtes\qp\lcharnote{N}{\sF~}\icresc\islurd0g\qu g\enotes
\NOTes\zcharnote{a}{\tdecresc}\zcharnote{N}{\p}\tslur0f\hu{=f}\enotes
\bar % bar 56 [Flöte II.]
\NOtes\qp\lcharnote{N}{\sF~}\icresc\islurd0g\qu g\enotes
\NOTes\zcharnote{a}{\tdecresc}\zcharnote{N}{\p}\tslur0f\hu{=f}\enotes
\bar % bar 57 [Flöte II.]
\rehearsalmark{4}{2.5}{0pt}%
\NOtes\hqsk\ccharnote{N}{\p}\isluru0j\ql{_i}\tslur0j\qu{_h}\isluru0l\ql{_l}\tslur0k\ql{_k}\enotes
\bar % bar 58 [Flöte II.]
\NOtes\hqsk\isluru0o\ql{_n}\tslur0n\ql{=m}\enotes
\Notes\isluru0n\ibl0k2\qb0{kmr}\tbl0\tslur0p\qb0{_p}\enotes
\bar % bar 59 [Flöte II.]
\NOtes\hqsk\icresc\isluru0p\ql{=o}\enotes
\Notes\ibl0n{-2}\qb0{=n}\tbl0\qb0{=m}\ibl0p0\qb0{_sr=q}%
	\tbl0\zcharnote{a}{\tcresc}\tslur0r\qb0r\enotes
\bar % bar 60 [Flöte II.]
\NOtes\hqsk\ccharnote{N}{\f}\isluru0r\ql{=q}\enotes
\Notes\ibl0p{-3}\qb0{=t}\tbl0\midslur3\tslur0r\qb0r%
	\ibl0n0\isluru0q\qb0q\tslur0p\qb0{_p}\enotes
\znotes\zcharnote{N}{\textleader{27}{\smallppff dim.}}\enotes
\Notes\qb0n\tbl0\qb0q\enotes
\bar % bar 61 [Flöte II.]
\Notes\hqsk\ibl0m0\isluru0p\qb0{_p}\tslur0o\qb0{_o=m}\tbl0\qb0{=q}%
	\ibl0m{-2}\isluru0p\qb0p\tslur0n\qb0{n_l}\tbl0\ccharnote{N}{\p}\qb0{=j}\enotes
\bar % bar 62-68 [Flöte II.]
\longrest7%
\bar % bar 69-73 [Flöte II.]
\rehearsalmark{5}{2.5}{0pt}%
\longrest5%
\bar % bar 74 [Flöte II.]
\NOtes\qp\enotes
\Notes\ccharnote{N}{\p}\islurd0f\ibu0f2\qb0f\tbu0\tslur0g\qb0g%
	\ibl0j{-2}\qb0j\tbl0\qb0i\enotes
\NOtes\qu h\enotes
\bar % bar 75 [Flöte II.]
\Notes\ds\enotes
\NOtes\ccharnote{N}{\pp}\isluru0q\ql q\enotes
\Notes\tslur0p\cl p\enotes
\NOtes\qp\enotes
\Notes\ibl0n{-2}\ust n\qb0n\tbl0\ust m\qb0m\enotes
% bar 76 [Flöte II.]
\generalmeter{\meterfrac34}\changecontext
\NOtes\qp\enotes
\Notes\ibl0k{-2}\ust k\qb0k\tbl0\ust j\qb0j\enotes
\NOtes\qp\enotes
% bar 77-78 [Flöte II.]
\generalmeter{\meterfrac44}\changecontext
\longrest2%
% bar 79 [Flöte II.]
\generalmeter{\meterfrac24}\changecontext
\NOtes\pause\enotes
% bar 80 [Flöte II.]
\generalsignature{-2}%
\generalmeter{\meterfrac44}\Changecontext
\notabene{6pt}{Etwas frischer}%
\NOtes\qp\enotes
\Notesp\pt j\ds\enotes
\notes\ccharnote{K}{\p}\islurd0c\ccu{^c}\hsk\ibbu0f3\qb0{=f}\tbu0\tslur0f\qb0h\enotes
\Notes\ds\enotes
\NOtes\qp\enotes
\bar % bar 81 [Flöte II.]
\NOtes\qp\enotes
\Notesp\pt j\ds\enotes
\notes\islurd0c\ccu{^c}\ibbu0f3\qb0f\tbu0\tslur0f\qb0h\enotes
\Notes\ds\enotes
\NOtes\qp\enotes
\bar % bar 82-83 [Flöte II.]
\longrest2%
\bar % bar 84 [Flöte II.]
\NOtes\qp\enotes
\NOTes\ccharnote{N}{\f}\hl n\enotes
\Notesp\ibl0k{-4}\isluru0m\qbp0m\enotes
\notes\tbbl0\tbl0\tslur0j\qb0i\enotes
\bar % bar 85 [Flöte II.]
\NOTes\itieu0t\hl s\enotes
\Notes\ttie0\ibl0p{-1}\isluru0s\qb0s\tbl0\tslur0r\qb0r%
	\ibl0m{-2}\isluru0p\qb0p\tbl0\tslur0k\qb0k\enotes
\bar % bar 86 [Flöte II.]
\notabene{17pt}{Flie\ss end}%
\NOtesp\ITrille0r\isluru0n\qlp n\Ttrille0\enotes
\Notes\tslur0m\cl m\shottrille p\isluru0m\cl m\enotes
\NOtes\tslur0l\ql{_l}\enotes
\Notes\ccharnote{N}{\smallppff cresc.}\isluru0i\cl{=i}\breakslur0m\enotes
\def\atnextline{\Liftslur02}%
\bar % bar 87 [Flöte II.]
\Notes\shottrille q\cl n\enotes
\NOtes\tslur0m\ql{^m}\enotes
\Notes\isluru0k\cl k\ccharnote{N}{\ff}\ibl0n{-3}\shottrille r\qb0o\tslur0n\qb0n\ust l\qb0l\tbl0\ust k\qb0k\enotes
\bar % bar 88 [Flöte II.]
\NOtes\qp\enotes
\Notesp\lcharnote{M}{\p}\ibl0i3\isluru0g\qbp0g\enotes
\notes\tbbl0\tbl0\tslur0n\qb0n\enotes
\NOtes\shottrille q\itieu0n\ql n\enotes
\Notes\multnoteskip{.72}\roffset{.7}{\triolet p}\ttie0\ibl0n{-1}\qb0n\hqsk\qb0{^m}\hqsk\tbl0\qb0{=m}\enotes
\bar % bar 89 [Flöte II.]
\NOtes\itieu0l\shottrille p\ql l\enotes
\Notes\multnoteskip{.72}\triolet o\ccharnote{N}{\smallppff cresc.}\ttie0\ibl0l{-2}\qb0{lk}\hqsk\tbl0\qb0{^j}\enotes
\NOtes\itieu0p\shottrille s\ql p\enotes
\Notes\multnoteskip{.72}\triolet r\ttie0\ibl0o{-1}\qb0{po}\hqsk\tbl0\qb0{^n}\enotes
\bar % bar 90 [Flöte II.]
\NOtes\qp\enotes
\NOTes\isluru0p\ITrille0u\hl{=p}\Ttrille0\enotes
\Notesp\tslur0o\ibl0o{-2}\qbp0o\enotes
\notes\tbbl0\tbl0\isluru0m\qb0m\enotes
\bar % bar 91 [Flöte II.]
\notabene{24pt}{\textleader{19}{Rit.}}%
\NOTes\hqsk\zcharnote{N}{\smallppff molto cresc.}\tslur0s\itieu0s\hl{=s}\enotes
\Notes\ibl0o{-2}\ttie0\isluru0s\qb0s\tslur0r\qb0r\enotes
\Notesp\qbp0o\enotes
\notes\tbbl0\tbl0\qb0m\enotes
\bar % bar 92 [Flöte II.]
\notabene{25pt}{a tempo \normtype\it(Allegro mederato)}%
%notabene{24pt}{\vbox{\hbox{a tempo}\hbox{\it(Allegro moderato)}}}%
\NOTesp\ccharnote{N}{\fff}\isluru0t\hlp t\enotes
\Notesp\tslur0s\ibl0p0\qbp0{_s}\enotes
\notes\tbbl0\tbl0\qb0r\enotes
\xbar % bar 93 [Flöte II.]
\NOtes\ccharnote{N}{\sF}\isluru0t\ql t\enotes
\NOTes\ccharnote{N}{\sF}\tslur0s\hl{_s}\enotes
\NOtes\ccharnote{N}{\sF}\isluru0m\ql m\enotes
\bar % bar 94 [Flöte II.]
\NOTes\ccharnote{N}{\sF}\tslur0s\itieu0s\hl s\enotes
\Notesp\ibl0p0\ttie0\qbp0s\enotes
\notes\tbbl0\qb0t\enotes
\Notesp\qbp0s\enotes
\notes\tbbl0\tbl0\qb0r\enotes
\bar % bar 95 [Flöte II.]
\NOTes\itieu0q\hl q\enotes
\Notes\ttie0\cl q\ds\enotes
\NOtes\qp\enotes
\bar % bar 96-97 [Flöte II.]
\rehearsalmark{6}{2.5}{0pt}%
\longrest2%
\bar % bar 98 [Flöte II.]
\NOtes\qp\enotes
\NOtesp\isluru0w\qlp w\enotes
\Notes\tslur0u\ibl0p{-1}\qb0u\enotes
\Notesp\qbp0{=s}\enotes
\notes\tbbl0\tbl0\qb0r\enotes
\bar % bar 99 [Flöte II.]
\Notes\ibl0p{-2}\isluru0q\qb0q\tbl0\tslur0p\qb0p\enotes
\Notes\multnoteskip{.72}\triolet r\ibl0p{-2}\qb0{rq}\tbl0\qb0p%
	\triolet p\ibl0o{-2}\qb0{on}\tbl0\qb0m%
	\triolet p\ibl0o{-2}\qb0{on}\tbl0\qb0m\enotes
\bar % bar 100 [Flöte II.]
\longrest1%
\bar % bar 101 [Flöte II.]
\NOTes\hpause\ITrille0u\hl s\Ttrille0\enotes
\bar % bar 102 [Flöte II.]
\notabene{24pt}{Allegro}%
\Notes\ds\enotes
\NOtes\isluru0r\ql{_r}\enotes
\Notes\tslur0o\cl{=o}\enotes
\NOTes\upperfl x\ITrille0w\hl{_u}\Ttrille0\enotes
\bar % bar 103 [Flöte II.]
\NOTes\hqsk\itieu0v\hl{_u}\enotes
\Notes\multnoteskip{.72}\ttie0\triolet w\ibl0o{-2}\isluru0u\qb0u\tslur0s\qb0s\hqsk\tbl0\qb0{_q}%
	\hqsk\triolet n\ibl0l{-3}\qb0{_nl}\hqsk\tbl0\qb0{_j}\enotes
\bar % bar 104 [Flöte II.]
\NOTEs\upperfl z\ITrille0y\wh w\Ttrille0\enotes
\bar % bar 105 [Flöte II.]
\NOTEs\upperfl z\ITrille0y\wh w\Ttrille0\enotes
\bar % bar 106 [Flöte II.]
\NOTEs\itieu0w\wh w\enotes
\bar % bar 107 [Flöte II.]
\Notes\ttie0\cl w\ds\enotes
\NOtes\qp\enotes
\NOTes\hpause\enotes
\doublebar % bar 108-109 [Flöte II.]
\longrest2%
\bar % bar 110-124 [Flöte II.]
\notabene{17pt}{\vbox{\hbox{Tempo I. subito}\hbox{\normtype\it(aber nicht schleppend)}}}%
\longrest{15}%
\bar % bar 125-129 [Flöte II.]
\rehearsalmark{7}{2.6}{0pt}%
\longrest5%
\bar % bar 130-141 [Flöte II.]
\notabene{4pt}{\vbox{\hbox{Pl\"otzlich sehr m\"a\ss ig}\hbox{\enskip und zur\"uckhaltend}}}%
\longrest{12}%
% bar 142-147 [Flöte II.]
\generalsignature{2}\Changecontext
%longrest6%
\longrest{10}%
%bar % bar 148-151 [Flöte II.]
%notabene{5pt}{Tempo I.}%
%longrest4%
\bar % bar 152-159 [Flöte II.]
\rehearsalmark{8}{2.5}{0pt}%
\longrest8%
% bar 160-162 [Flöte II.]
\generalsignature{-2}\Changecontext
\longrest3%
\bar % bar 163 [Flöte II.]
\guideexcerptstyle%
\znotes\zcharnote{o}{\smalltype Ob.}\enotes
\NOTes\tinynotesize\hpause\enotes
\NOtes\tinynotesize\qp\enotes
\Notes\tinynotesize\ibu0i5\islurd0f\qb0f\tbu0\tslur0i\qb0j\enotes
\excerptpause{-3}%
\bar % bar 164 [Flöte II.]
\NOTes\tinynotesize\hl j\enotes
\NOtes\tinynotesize\qp\enotes
\notabenenb{3pt}{Allm\"alich flie\ss ender}%
\Notes\tinynotesize\ibl0k3\isluru0k\qb0k\tbl0\tslur0l\qb0l\enotes
\excerptpause{-3}%
\xbar % bar 165 [Flöte II.]
\NOtes\tinynotesize\isluru0l\ql l\tslur0k\ql k\qp\enotes
\Notes\tinynotesize\ibl0m{-3}\isluru0m\qb0m\tbl0\tslur0k\qb0k\enotes
\excerptpause{-3}%
\xbar % bar 166 [Flöte II.]
\NOTes\tinynotesize\hl j\enotes
\NOtes\tinynotesize\qp\enotes
\Notes\tinynotesize\ibl0g5\isluru0g\qb0g\tbl0\tslur0k\qb0k\enotes
\excerptpause{-3}%
\bar % bar 167 [Flöte II.]
\NOTes\tinynotesize\hl j\enotes
\NOtes\tinynotesize\qp\enotes
\Notes\tinynotesize\ibl0g5\isluru0g\qb0g\tbl0\tslur0l\qb0l\enotes
\excerptpause{-3}%
\bar % bar 168-169 [Flöte II.]
\defaultskipstyle%
\longrest2%
\bar % bar 170 [Flöte II.]
\NOtes\qp\enotes
\Notes\ds\zcharnote{N}{\p}\isluru0k\cu e\ibl0h3\qb0{gin}\tbl0\tslur0n\qb0l\enotes
\bar % bar 171 [Flöte II.]
\NOtes\zcharnote{N}{\smallppff cresc.}\isluru0k\ql k\enotes
\Notes\ibl0j{-2}\qb0j\tbl0\qb0i\ibl0m0\qb0{_onm}\tbl0\tslur0n\qb0n\enotes
\bar % bar 172 [Flöte II.]
\NOtes\isluru0m\ql m\enotes
\Notes\ibl0p{-3}\qb0p\tbl0\zcharnote{N}{\smallppff molto cresc.}\qb0n\ibl0k0\qb0{ml=i}\tbl0\curve 412\tslur0n\qb0n\enotes
\bar % bar 173 [Flöte II.]
\Notes\isluru0m\ibl0j0\qb0{mlj}\tbl0\qb0{_o}\ibl0j0\qb0{^m=l=i}\tbl0\tslur0p\qb0{=p}\enotes
\bar % bar 174 [Flöte II.]
\rehearsalmark{9}{3.5}{17pt}%
\notabenenb{13pt}{\vbox{\hbox{Mit Wut}\hbox{Allegro risoluto \normtype\it(Nicht zu schnell)}}}%
\NOtesp\ccharnote{N}{\ff}\qlp n\enotes
\notes\multnoteskip{.667}\triolet q\ibbl0n0\upz n\qb0n\upz n\qb0n\tbbl0\tbl0\upz n\qb0n\enotes
\NOtesp\qlp n\enotes
\notes\multnoteskip{.667}\triolet q\ibbl0n0\upz n\qb0n\upz n\qb0n\tbbl0\tbl0\upz n\qb0n\enotes
\bar % bar 175 [Flöte II.]
\NOTEs\ITrille0p\hlpp n\Ttrille0\enotes
\notes\multnoteskip{.667}\triolet q\ibbl0n0\upz n\qb0n\upz n\qb0n\tbbl0\tbl0\upz n\qb0n\enotes
\bar % bar 176 [Flöte II.]
\Notes\multnoteskip{.72}\triolet n\ibl0k0\upz n\qb0n\upz j\qb0j\tbl0\upz n\qb0n\enotes
\Notesp\ibl0o{-3}\qbp0r\enotes
\notes\tbbl0\tbl0\upz n\qb0n\enotes
\Notes\multnoteskip{.72}\triolet n\ibl0k0\upz n\qb0n\upz j\qb0j\tbl0\upz n\qb0n\enotes
\Notesp\ibl0o{-3}\qbp0r\enotes
\notes\tbbl0\tbl0\upz n\qb0n\enotes
\bar % bar 177 [Flöte II.]
\NOTes\hl n\enotes
\Notes\ds\enotes
\notes\isluru0o\ibbu0g3\qb0g\hqsk\tbbu0\tbu0\qb0{_h}%
	\ibbl0j4\qb0j\hqsk\qb0{=l}\hqsk\qb0{_o}\tbbl0\tbl0\tslur0q\qb0q\enotes
\bar % bar 178 [Flöte II.]
\NOTes\hpause\enotes
\Notes\ds\enotes
\notes\isluru0k\ibbu0d3\qb0{^d}\hqsk\tbbu0\tbu0\qb0{=e}%
	\hqsk\ibbl0h4\qb0{=hj}\hqsk\qb0{=l}\hqsk\tbbl0\tbl0\qb0{=o}\enotes
\bar % bar 179 [Flöte II.]
\NOTesp\ccharnote{N}{\sF}\tslur0q\isluru0q\hlp q\enotes
\NOtes\ccharnote{N}{\sF}\tslur0p\ql{_p}\enotes
\bar % bar 180 [Flöte II.]
\NOtes\hqsk\ITrille0p\ql{^n}\Ttrille0\enotes
\Notes\ds\enotes
\notes\isluru0l\ibbu0d3\qb0{^d}\hqsk\tbbu0\tbu0\qb0{=e}%
	\ibbl0h3\qb0h\hqsk\qb0{=j}\hqsk\qb0{^k}\hqsk\tbbl0\tbl0\qb0{=l}%
	\hqsk\ibbl0j0\qb0{^n}\hqsk\qb0{=jl}\tbbl0\tbl0\qb0n\breakslur0p\enotes
\bar % bar 181 [Flöte II.]
\NOtes\ITrille0s\tslur0q\ql q\Ttrille0\enotes
\notes\qs\hqsk\isluru0l\ibbl0k2\qb0{^k}\hqsk\qb0{=l}\hqsk\tbbl0\tbl0\qb0{=n}\enotes
\NOtes\ITrille0s\tslur0q\ql q\Ttrille0\enotes
\notes\qs\hqsk\isluru0l\ibbl0k2\qb0{^kl}\hqsk\tbbl0\tbl0\qb0{=n}\enotes
% bar 182 [Flöte II.]
\generalsignature{1}\Changecontext
\rehearsalmark{10}{6.0}{15pt}%
\NOTEs\tslur0q\itieu0q\wh q\enotes
\bar % bar 183 [Flöte II.]
\NOTEs\ttie0\itieu0q\wh q\enotes
\bar % bar 184 [Flöte II.]
\NOTEs\ttie0\ITrille0s\wh q\Ttrille0\enotes
\znotes\zcharnote{N}{\smallppff dim. - \pp}\enotes
\bar % bar 185 [Flöte II.]
%NOTEs\zcharnote{N}{\textleader5{\smallppff dim.}\p}\Trille s1\wh q\enotes
\NOTEs\Trille s1\wh q\enotes
\bar % bar 186 [Flöte II.]
\NOtes\qp\enotes
\Notesp\lcharnote{N}{\ff}\ibl0k3\isluru0k\qbp0k\enotes
\notes\tbbl0\tbl0\tslur0r\qb0r\enotes
\NOTes\itieu0r\hl r\enotes
\bar % bar 187 [Flöte II.]
\NOtes\ttie0\isluru0r\ql r\enotes
\NOtesp\ccharnote{N}{\sF}\tslur0u\qlp u\enotes
\NOtes\ccharnote{N}{\sF}\isluru0t\ql t\enotes
\Notes\tslur0p\cl p\enotes
\bar % bar 188 [Flöte II.]
\NOTesp\hlp s\enotes
\Notes\ibl0o{-3}\isluru0t\usf r\qb0r\tbl0\tslur0p\usf n\qb0n\enotes
\bar % bar 189 [Flöte II.]
\NOTes\itieu0x\hl x\enotes
\Notes\ibl0o{-2}\ttie0\isluru0x\qb0x\tslur0w\qb0{wu}\tbl0\qb0p\enotes
\bar % bar 190-191 [Flöte II.]
\longrest2%
\bar % bar 192 [Flöte II.]
\NOtes\ccharnote{N}{\ff}\ITrille0p\ql n\Ttrille0\enotes
\Notes\multnoteskip{.72}\triolet o\ibl0m0\qb0n\hqsk\qb0{^l}\tbl0\qb0m\enotes
\NOtes\ITrille0r\ql{_p}\Ttrille0\enotes
\Notes\multnoteskip{.72}\triolet q\ibl0n0\qb0p\hqsk\qb0{^n}\tbl0\qb0o\enotes
% bar 193 [Flöte II.]
\generalsignature{-2}\Changecontext%
\NOTesp\isluru0t\hlp s\enotes
\Notes\tslur0r\ibl0o{-3}\qb0r\enotes
\notes\raise2\Interligne\qs\tbbl0\tbl0\isluru0p\qb0n\enotes
\bar % bar 194 [Flöte II.]
\NOtes\tslur0x\itieu0x\ql x\enotes
\Notes\multnoteskip{.72}\ttie0\triolet y\ibl0o{-2}\qb0{xw}\tbl0\qb0s%
	\hqsk\triolet w\ibl0o{-2}\qb0{_vu}\tbl0\qb0p%
	\triolet u\ibl0o{-3}\qb0{ts}\tbl0\qb0n\enotes
\bar % bar 195 [Flöte II.]
\Notes\multnoteskip{.72}\hqsk\triolet s\ibl0n{-4}\itieu0s\qb0{^q}\hqsk\ttie0\qb0{=q}\tbl0\upz k\qb0k\enotes
\NOTesp\hqsk\ITrille0r\hlp{_p}\Ttrille0\enotes
\bar % bar 196 [Flöte II.]
\NOTEs\ITrille0r\hlpp p\Ttrille0\enotes
\Notes\ds\enotes
\bar % bar 197 [Flöte II.]
\NOTes\hpause\enotes
\NOtes\qp\isluru0n\qu{_h}\enotes
\bar % bar 198 [Flöte II.]
\NOTes\hqsk\tslur0v\itieu0v\hl{_v}\enotes
\notes\ttie0\ibbl0p0\qb0v\upz u\qb0u\hqsk\upz u\qb0{_u}\tbbl0\tbl0\upz t\qb0t%
	\hqsk\ibbl0p{-1}\upz s\qb0{=s}\hqsk\upz s\qb0{_s}\upz r\qb0r\hqsk\tbbl0\tbl0\upz q\qb0{^q}\enotes
\bar % bar 199 [Flöte II.]
\notes\hqsk\isluru0r\ibbl0p{-1}\qb0{_rq}\hqsk\qb0{=p}\hqsk\tbbl0\tbl0\qb0{_p}%
	\hqsk\ibbl0o{-1}\qb0{_qp}\hqsk\qb0{=o}\hqsk\tbbl0\tbl0\tslur0o\qb0{_o}%
	\isluru0r\ibbl0p{-1}\qb0r\hqsk\qb0{=q}\hqsk\qb0{_q}\tbbl0\tbl0\qb0{p}%
	\ibbl0o{-1}\qb0{qp}\hqsk\qb0{=o}\hqsk\tbbl0\tbl0\tslur0o\qb0{_o}\enotes
\bar % bar 200 [Flöte II.]
\notes\hqsk\ibbl0p{-1}\isluru0r\qb0{_r}\hqsk\qb0{=q}\hqsk\qb0{_q}\tbbl0\tbl0\tslur0p\qb0p%
	\isluru0q\ibbl0o{-1}\qb0{qp}\hqsk\qb0{=o}\hqsk\tbbl0\tbl0\itieu1o\qb0{_o}%
	\tslur0o\ttie1\ibbl0n{-1}\qb0o\upz n\qb0n\hqsk\upz n\qb0{_n}\tbbl0\tbl0\upz m\qb0m%
	\hqsk\ibbl0m{-2}\isluru0n\qb0{=n}\hqsk\qb0{^m}\hqsk\qb0{=l}\hqsk\tbbl0\tbl0\tslur0k\qb0{=k}\enotes
\bar % bar 201 [Flöte II.]
\Notes\hqsk\ibl0o2\isluru0o\qb0{_o}\enotes
\notes\tbbl0\tbl0\tslur0q\qb0{_q}\qs\enotes
\NOTes\hl q\enotes
\NOtes\qp\enotes
% bar 202-210 [Flöte II.]
\generalsignature{-1}\Changecontext%
\rehearsalmark{11}{5.5}{0pt}%
\longrest9%
% bar 211-220 [Flöte II.]
\generalsignature{-5}\Changecontext%
%notabene{0pt}{\vbox{\hbox{Leiden-}\hbox{ schaftlich}}}%
\notabene{2pt}{\kern-4\elemskip\hbox{Leidenschaftlich}}%
\longrest{10}%
\bar % bar 221-225 [Flöte II.]
\addspace{-\afterruleskip}\zalaligne
\stafftopmarg=3\Interligne
\mulooseness=-1
\rehearsalmark{12}{4.0}{2pt}%
\longrest5%
\bar % bar 226 [Flöte II.]
\guideexcerptstyle%
\znotes\zcharnote{n}{\smalltype Hrn. Vln.}\enotes
\NOtes\tinynotesize\islurd0d\qu d\enotes
\NOTesp\tinynotesize\tslur0c\itied0c\hup c\enotes
\excerptpause1%
\bar % bar 227 [Flöte II.]
\Notes\tinynotesize\ttie0\triolet k\lsf c\qu c\hqsk\lsf b\qu{=b}\lsf c\qu c%
	\triolet k\lsf e\qu e\hqsk\lsf d\qu{_d}\hqsk\lsf a\qu{=a}\enotes
\excerptpause1%
\defaultskipstyle%
\bar % bar 228-233 [Flöte II.]
\longrest6%
% bar 234 [Flöte II.]
\generalsignature{2}\Changecontext%
\notabene{25pt}{\vbox{\hbox{Pl\"otzlich langsamer}\hbox{\normtype\it(Das Tempo so weit m\"a\ss igen, als n\"otig)}}}%
\NOTes\hpause\enotes
\NOtes\qp\enotes
\notes\ccharnote{N}{\ff}\multnoteskip\tinyvalue\tinynotesize\isluru0w\grcu{^s}\enotes
\notes\tslur0t\ibbl0o0\isluru0t\qb0{tq}\enotes
\notes\multnoteskip\tinyvalue\tinynotesize\isluru1v\grcu{=s}\enotes
\notes\tslur1s\qb0r\tbbl0\tbl0\tslur0s\qb0p\enotes
\xbar % bar 235 [Flöte II.]
\NOTes\hpause\enotes
\NOtes\qp\enotes
\notes\ibbl0n2\issluru0n\qb0{=n}\tsslur0o\qb0{op}\tbbl0\tbl0\qb0q\enotes
\bar % bar 236 [Flöte II.]
\notes\ibbl0o{-1}\issluru0s\qb0s\tbbl0\tbl0\tsslur0r\qb0r\enotes
\Notes\ds\enotes
\notes\ibbl0o{-1}\issluru0p\qb0p\tbbl0\tbl0\tsslur0o\qb0o\enotes
\Notes\ds\enotes
\notes\ibbl0n{-1}\issluru0n\qb0n\tbbl0\tbl0\tsslur0m\qb0m\enotes
\Notes\ds\enotes
\NOtes\qp\enotes
\bar % bar 237 [Flöte II.]
\notabene{2pt}{Sich m\"a\ss igend}%
\NOtes\ccharnote{M}{\ff}\islurd0e\qu e\enotes
\NOTes\tslur0f\hu{=f}\enotes
\NOtes\qp\enotes
\bar % bar 238 [Flöte II.]
\NOTesp\ccharnote{K}{\smallppff sempre~\ff}\islurd0e\hup e\enotes
\NOtes\tslur0f\qu{=f}\enotes
\bar % bar 239 [Flöte II.]
\notabene{0pt}{Schon langsam}%
\NOtes\qp\enotes
\NOTesp\itied0d\hup e\enotes
\bar % bar 240 [Flöte II.]
\NOtes\ttie0\itied0e\qu e\enotes
\Notes\ttie0\cu e\ds\enotes
\NOTes\hpause\enotes
\bar % bar 241-242 [Flöte II.]
\longrest2%
\bar % bar 243-253 [Flöte II.]
\rehearsalmark{13}{2.5}{0pt}%
\longrest{11}%
\znotes\fermataup m\enotes
\bar % bar 254-259 [Flöte II.]
\longrest6%
\bar % bar 260 [Flöte II.]
\guideexcerptstyle%
\addspace{-\afterruleskip}\setclef1\bass\changeclefs
\znotes\lcharnote{c}{\smalltype Klar.\enspace}\enotes
\NOTEs\sk\enotes
\def\atnextbar{\znotes\centerbar{\liftpause3\tinynotesize\zwh{GK_b}}\enotes}%
\bar % bar 261 [Flöte II.]
\NOTEs\sk\enotes
\def\atnextbar{\znotes\centerbar{\liftpause3\tinynotesize\liftpause0}\enotes}%
\bar % bar 262 [Flöte II.]
\NOTEs\sk\enotes
\def\atnextbar{\znotes\centerbar{\liftpause3\tinynotesize\zwh{GK_b}}\enotes}%
\defaultskipstyle%
\bar % bar 263-265 [Flöte II.]
\longrest3%
\bar % bar 266 [Flöte II.]
\guideexcerptstyle%
\NOtes\qp\enotes
\NOTesp\tinynotesize\zhp{^F^J}\hlp a\enotes
\excerptpause 3%
\defaultskipstyle%
\doublebar % bar 267-268 [Flöte II.]
\notabene{12pt}{Tempo~I. Andante}%
\addspace{-\afterruleskip}\setclef1\treble\changeclefs%
\longrest2%
\bar % bar 269 [Flöte II.]
\NOtes\qp\enotes
\Notes\zcharnote{N}{\p\enspace\smallppff espress.}\isluru0m\ibl0m2\qb0m\tbl0\qb0o\enotes
\NOtesp\qlp q\enotes
\Notes\tslur0p\cl p\enotes
\bar % bar 270-272 [Flöte II.]
\longrest3%
\bar % bar 273 [Flöte II.]
\NOtes\qp\enotes
\Notes\zcharnote{N}{\p}\isluru0m\ibl0m3\qb0m\tbl0\qb0o%
	\ibl0o{-2}\qb0q\tbl0\qb0p\enotes
\NOtes\curve587\tslur0o\itieu0o\ql o\enotes
\bar % bar 274 [Flöte II.]
\Notes\ibl0o{-1}\ttie0\isluru0o\qb0o\tslur0r\qb0{rn}\tbl0\qb0m%
	\ibl0l{-1}\isluru0l\qb0l\tslur0o\qb0{ok}\tbl0\qb0j\enotes
\bar % bar 275 [Flöte II.]
\notabene{7pt}{Nicht schleppen}%
\longrest1%
\xbar % bar 276 [Flöte II.]
\NOtes\qp\enotes
\NOtesp\ccharnote{M}{\sF}\roff{\icresc}\isluru0j\qlp{^j}\enotes
\Notes\ibl0j0\qb0{ih}\tbl0\zcharnote{N}{\tdecresc}\zcharnote{M}{\enspace\p}\tslur0l\qb0l\enotes
\bar % bar 277-278 [Flöte II.]
%longrest2%
\longrest5%
%bar % bar 279-281 [Flöte II.]
%notabene{4pt}{Etwas flie\ss ender}%
%longrest3%
\bar % bar 282 [Flöte II.]
\notabene{5pt}{\textleader{50}{Etwas dr\"angend}}%
\NOtes\hqsk\ccharnote{N}{\f}\isluru0l\ql{_l}\enotes
\Notes\tslur0k\cl k\ds\enotes
\NOTes\hpause\enotes
\bar % bar 283 [Flöte II.]
\NOtes\itieu0k\ql k\enotes
\Notes\ttie0\cl k\ds\enotes
\NOTes\hpause\enotes
\bar % bar 284 [Flöte II.]
\NOtes\hqsk\isluru0l\ql{_l}\enotes
\Notes\tslur0k\cl k\ds\enotes
\NOTes\hpause\enotes
% bar 285-287 [Flöte II.]
\generalsignature{5}\Changecontext%
\notabene{5pt}{\kern-3.5\elemskip\hbox{Bewegter \normtype\it(quasi Allegro)}}%
\longrest3%
\xbar % bar 288 [Flöte II.]
\NOTes\hpause\enotes
\Notes\ccharnote{M}{\f}\ibl0k4\isluru0j\qb0j\tslur0m\qb0m\usf n\qb0n\tbl0\usf p\qb0p\enotes
\xbar % bar 289 [Flöte II.]
\notes\multnoteskip{.9}\ccharnote{N}{\sF}\isluru0r\xtuplet5s\ibbl0p0\qb0q\hqsk\qb0{=rq}\hqsk\qb0{^p}\tbbl0\tbl0\qb0q\enotes
\NOTesp\tslur0s\itieu0t\hlp s\enotes
\bar % bar 290 [Flöte II.]
\NOTes\ttie0\itieu0t\hl s\enotes
\Notes\ttie0\ibl0h0\isluru0q\qb0s\tslur0i\qb0{>f}\usf g\qb0g\tbl0\usf i\qb0{^i}\enotes
\bar % bar 291 [Flöte II.]
\Notes\ibl0l2\isluru0l\qb0l\enotes
\notes\tbbl0\tbl0\tslur0n\qb0n\qs\enotes
\NOtes\ql n\enotes
\NOTes\hpause\enotes
\bar % bar 292 [Flöte II.]
\NOtes\hqsk\ccharnote{N}{\sF}\itieu0o\ql{=o}\enotes
\Notes\ttie0\cl o\ds\enotes
\NOTes\hpause\enotes
\bar % bar 293 [Flöte II.]
\rehearsalmark{14}{4.0}{2pt}%
\Notes\hqsk\ibl0o2\isluru0r\qb0{=r}\enotes
\notes\tbbl0\tbl0\tslur0t\qb0t\qs\enotes
\NOTesp\itieu0u\hlp t\enotes
\bar % bar 294 [Flöte II.]
\NOTesp\ttie0\itieu0u\hlp t\enotes
\Notes\ttie0\cl t\ds\enotes
\bar % bar 295-300 [Flöte II.]
\longrest6%
\bar % bar 301 [Flöte II.]
\NOtes\qp\enotes
\NOtesp\isluru0p\qlp p\enotes
\Notes\tslur0n\ibl0n{-2}\qb0n\enotes
\Notesp\qbp0{^l}\enotes
\notes\tbbl0\tbl0\qb0k\enotes
% bar 302 [Flöte II.]
\generalsignature{-4}\changecontext%
\Notes\hqsk\ibl0j2\isluru0j\qb0{=j}\tbl0\tslur0l\qb0{_k}\enotes
\NOtesp\isluru0o\qlp{_o}\enotes
\Notes\ccharnote{N}{\sF}\tslur0n\cl n\enotes
\Notes\multnoteskip{.72}\ccharnote{N}{\sF}\triolet q\ibl0o{-3}\qb0{po}\tbl0\qb0m\enotes
\bar % bar 303 [Flöte II.]
\notabene{15pt}{\textleader{28}{Pesante}}%
\Notes\ibl0l0\isluru0l\qb0l\tslur0l\qb0{=km}\tbl0\qb0{=n}\enotes
\Notes\multnoteskip{.72}\triolet p\ibl0o0\qb0{on}\tbl0\qb0o%
	\hqsk\triolet s\ibl0o1\isluru0o\qb0{=o}\enotes
\Notesp\multnoteskip{.72}\tslur0q\qbp0q\enotes
\notes\multnoteskip{.72}\tbbl0\tbl0\qb0p\enotes
\bar % bar 304 [Flöte II.]
\Notes\multnoteskip{.72}\hqsk\triolet p\ibl0o{-2}\qb0{_o}\ccharnote{N}{\smallppff veloce}\qb0n\hqsk\tbl0\qb0{^m}\enotes
\NOtesp\isluru0n\hl n\enotes
\Notes\turn p\upperna k\sk\enotes
\Notes\multnoteskip{.72}\tslur0p\triolet q\ibl0o{-2}\qb0{po}\tbl0\qb0n\enotes
\bar % bar 305 [Flöte II.]
\Notes\hqsk\ibl0l0\qb0{=l}\enotes
\notes\multnoteskip{.667}\xtuplet5o\nbbbl0\isluru0o\qb0{mnml}\tbbbl0\tbbl0\tbl0\tslur0o\qb0m\enotes
\Notes\multnoteskip{.72}\triolet o\ibl0l{-2}\qb0{nm}\hqsk\tbl0\qb0{_k}\enotes
\NOtes\ql j\qp\enotes
\bar % bar 306 [Flöte II.]
\NOTes\hpause\ccharnote{N}{\ff}\isluru0p\hl{=p}\enotes
\bar % bar 307 [Flöte II.]
\notabene{19pt}{Rit.}%
\NOTEs\tslur0q\itieu0q\wh q\enotes
\bar % bar 308 [Flöte II.]
\notabene{22pt}{Pesante \normtype\it(H\"ochste Kraft)}%
\notes\multnoteskip{.9}\icresc\xtuplet5s\ibbl0o0\ttie0\qb0q\hqsk\qb0{_rq}\hqsk\qb0{=p}\tbbl0\tbl0\qb0q\enotes
\NOTes\hqsk\zcharnote{a}{\tcresc}\isluru0t\hl{^t}\enotes
\Notesp\tslur0s\ibl0o{-2}\qbp0{=s}\enotes
\notes\tbbl0\tbl0\qb0{^r}\enotes
% bar 309 [Flöte II.]
\generalsignature{5}\changecontext%
\NOtes\ccharnote{N}{\sF}\isluru0t\ql t\enotes
\NOTes\ccharnote{N}{\sF}\tslur0s\hl s\enotes
\NOtes\isluru0m\usf p\ql m\enotes
\bar % bar 310 [Flöte II.]
\notabene{22pt}{a tempo}%
\NOtes\tslur0s\itieu0s\ql s\enotes
\Notes\multnoteskip{.72}\ttie0\roffset{.4}{\triolet r}\ibl0o0\isluru0s\qb0s\hqsk\qb0{^p}\tbl0\tslur0q\qb0q%
	\isluru0r\triolet u\ibl0o2\qb0{rs}\hqsk\tbl0\qb0{>t}\enotes
\notes\ibbl0p{-1}\qb0u\hqsk\qb0{^ts}\tbbl0\tbl0\curve578\tslur0r\qb0r\enotes
\bar % bar 311 [Flöte II.]
\NOtes\qp\enotes
\notes\ibbl0p{-2}\isluru0s\qb0{sqo}\tbbl0\tbl0\tslur0n\qb0n\enotes
\NOtes\qp\enotes
\notes\ibbl0p{-2}\isluru0s\qb0s\tbbl0\tbl0\tslur0q\qb0q\enotes
\Notes\ds\enotes
\bar % bar 312 [Flöte II.]
\notabene{22pt}{\textleader{30}{Stringendo}}%
\notes\ibbl0p{-2}\isluru0s\qb0s\tbbl0\tbl0\tslur0q\qb0q\enotes
\Notes\ds\enotes
\notes\ibbl0p{-2}\isluru0s\qb0s\hqsk\tbbl0\tbl0\tslur0q\qb0{=q}\enotes
\Notes\ds\enotes
\notes\ibbl0p{-2}\isluru0s\qb0s\tbbl0\tbl0\tslur0q\qb0q\enotes
\Notes\ds\enotes
\notes\ibbl0p{-2}\isluru0s\qb0s\hqsk\tbbl0\tbl0\tslur0q\qb0{^q}\enotes
\Notes\ds\enotes
\bar % bar 313 [Flöte II.]
\notabene{22pt}{\textleader{39}\null}%
\NOTes\hpause\enotes
\notes\isluru0t\ibbl0p{-1}\qb0{>tsq}\hqsk\tbbl0\tbl0\qb0{^p}%
	\hqsk\ibbl0n{-2}\qb0{=po}\hqsk\qb0{>m}\tbbl0\tbl0\tslur0l\qb0l\enotes
\bar % bar 314 [Flöte II.]
\notes\hqsk\ibbl0j{-2}\isluru0j\qb0{^j}\hqsk\qb0{=ji}\hqsk\tbbl0\tbl0\tslur0i\qb0{^h}\enotes
\NOtes\qp\enotes
\notes\ibbu0h{-2}\islurd0h\qb0{^h}\hqsk\qb0{=h}\hqsk\qb0{=g}\tbbu0\tbu0\tslur0e\qb0e\enotes
\NOtes\qp\enotes
\bar % bar 315 [Flöte II.]
\longrest1%
\bar % bar 316-318 [Flöte II.]
\rehearsalmark{15}{4.0}{0pt}%
\notabenenb{10pt}{Einhaltend}%
\longrest3%
\bar % bar 319-320 [Flöte II.]
\notabene{0pt}{Rit.}%
\longrest2%
\bar % bar 321-325 [Flöte II.]
\notabene{0pt}{Gehalten}%
\longrest5%
\bar % bar 326 [Flöte II.]
\NOTes\hpause\enotes
\NOtes\qp\ccharnote{M}{\ff}\roff{\icresc}\isluru0j\ql{=j}\roff{\zcharnote{N}{\tdecresc}}\enotes
\bar % bar 327 [Flöte II.]
\staffbotmarg=4\Interligne
\notabene{2pt}{Wie ein schwerer Konduct}%
\NOTes\ccharnote{M}{\p}\tslur0i\hl i\hpause\enotes
\xbar % bar 328 [Flöte II.]
\NOTes\hpause\enotes
\NOtes\qp\enotes
\Notes\ccharnote{N}{\ff}\ibl0l{-2}\ust l\qb0l\enotes
\notes\nbbl0\upz k\qb0{=k}\hqsk\tbbl0\tbl0\upz j\qb0{=j}\enotes
\bar % bar 329 [Flöte II.]
\NOTes\icresc\usf i\hl i\zcharnote{N}{\tdecresc}\hpause\enotes
\bar % bar 330 [Flöte II.]
\NOTes\hpause\enotes
\NOtes\qp\ccharnote{N}{\sF}\roff{\icresc}\isluru0l\ql{_l}\roff{\zcharnote{a}{\tdecresc}}\enotes
\bar % bar 331 [Flöte II.]
\znotes\loffset3{\icresc}\enotes
\NOTes\zcharnote{a}{\tdecresc\enspace}\ccharnote{N}{\p}\tslur0k\hl{^k}\enotes
\NOtes\qp\ccharnote{N}{\sF}\roff{\icresc}\isluru0l\ql{_l}\roff{\zcharnote{a}{\tdecresc}}\enotes
\bar % bar 332 [Flöte II.]
\NOTes\hqsk\ccharnote{N}{\p}\tslur0k\hl{^k}\hpause\enotes
\bar % bar 333 [Flöte II.]
\NOTes\hpause\enotes
\NOtes\qp\ccharnote{N}{\sF}\roff{\icresc}\isluru0j\ql{=j}\roff{\zcharnote{a}{\tdecresc}}\enotes
\xbar % bar 334 [Flöte II.]
\NOTes\hqsk\tslur0h\hu{=h}\enotes
\NOtes\qp\ccharnote{N}{\sF}\roff{\icresc}\itieu0k\ql{=k}\roff{\zcharnote{a}{\tdecresc}}\enotes
\xbar % bar 335 [Flöte II.]
\NOTes\ttie0\hl k\hpause\enotes
\bar % bar 336 [Flöte II.]
\longrest1%
% bar 337 [Flöte II.]
\generalsignature{2}\Changecontext%
\NOTes\hpause\enotes
\notes\ccharnote{N}{\p}\ibbbl0n3\isluru0m\qb0m\tbbbl0\tbbl0\tbl0\tslur0o\qb0{=o}\enotes
\notesp\qs\enotes
\Notes\ds\enotes
\NOtes\qp\enotes
\bar % bar 338 [Flöte II.]
\notes\ibbbl0p{-3}\isluru0p\qb0p\tbbbl0\tbbl0\tbl0\tslur0o\qb0o\enotes
\notesp\qs\enotes
\Notes\ds\enotes
\NOtes\qp\enotes
\notes\ibbbl0n3\isluru0m\qb0m\tbbbl0\tbbl0\tbl0\tslur0o\qb0o\enotes
\notesp\qs\enotes
\Notes\ds\enotes
\NOtes\qp\enotes
\bar % bar 339-346 [Flöte II.]
\longrest8%
\doublebar % bar 347 [Flöte II.]
\notabene{0pt}{Wie von Anfang}%
\longrest1%
\bar % bar 348 [Flöte II.]
\NOTes\hpause\enotes
\NOtes\qp\enotes
\Notes\lcharnote{N}{\p}\zcharnote{N}{\enspace\smallppff espress}\ibu0f3\islurd0f\qb0f\tbu0\tslur0h\qb0h\enotes
\bar % bar 349 [Flöte II.]
\Notes\ibl0j{-2}\isluru0j\qb0j\tbl0\tslur0i\qb0i\enotes
\NOtes\qu h\qp\enotes
\Notes\ds\cl j\enotes
\bar % bar 350 [Flöte II.]
\NOTes\hl i\enotes
\NOtes\qp\enotes
\notabenenb{7pt}{Anwachsend}%
\Notesp\ibu0h{-2}\islurd0h\lsf g\qbp0h\enotes
\notes\tbbu0\tbu0\tslur0g\qb0g\enotes
\bar % bar 351-352 [Flöte II.]
\longrest2%
\bar % bar 353 [Flöte II.]
\NOTes\hpause\enotes
\NOtes\qp\enotes
\Notes\lcharnote{L}{\f}\ibl0i2\isluru0i\usf j\qb0i\tbl0\tslur0j\qb0j\enotes
\bar % bar 354 [Flöte II.]
\NOtes\qp\enotes
\Notes\ibl0i2\isluru0i\usf j\qb0i\tbl0\tslur0j\qb0j\enotes
\NOtes\qp\enotes
\Notes\ibl0i3\isluru0i\usf j\qb0i\tbl0\tslur0l\qb0l\enotes
\bar % bar 355 [Flöte II.]
\NOtes\qp\enotes
\Notes\ccharnote{L}{\f}\isluru0k\ibl0k{-3}\qb0k\tbl0\icresc\qb0i\enotes
\NOtesp\qup h\enotes
\Notes\zcharnote{N}{\tdecresc}\tslur0k\cu g\enotes
\bar % bar 356 [Flöte II.]
\rehearsalmark{16}{3.0}{4pt}%
\NOtes\qp\lcharnote{L}{\f}\icresc\islurd0f\qu f\enotes
\NOTes\roff{\zcharnote{M}{\tdecresc}}\tslur0e\hu e\enotes
\bar % bar 357 [Flöte II.]
\NOtesp\hqsk\ccharnote{N}{\ff}\isluru0l\roff{\icresc}\qlp{^l}\roff{\zcharnote{a}{\tdecresc}}\enotes
\Notes\tslur0m\cl m\enotes
\NOTes\hpause\enotes
\bar % bar 358 [Flöte II.]
\NOtesp\ccharnote{N}{\ff}\isluru0n\roff{\icresc}\qlp n\roff{\zcharnote{a}{\tdecresc}}\enotes
\Notes\tslur0m\cl m\enotes
\NOTes\hpause\enotes
\bar % bar 359 [Flöte II.]
\NOtesp\hqsk\ccharnote{N}{\ff}\isluru0l\roff{\icresc}\qlp{^l}\roff{\zcharnote{a}{\tdecresc}}\enotes
\Notes\tslur0m\cl m\ds\icresc\ibl0n2\isluru0o\qb0{n_p}\tbl0\zcharnote{a}{\tcresc}\tslur0t\qb0{_s}\enotes
\bar % bar 360 [Flöte II.]
\NOtesp\hqsk\ccharnote{N}{\ff}\isluru0t\qlp{_s}\enotes
\Notes\tslur0r\cl r\enotes
\NOtes\qp\enotes
\Notes\ibl0o{-2}\isluru0q\qb0{^q}\tbl0\tslur0n\qb0{^n}\enotes
\bar % bar 361 [Flöte II.]
\NOTes\hl p\enotes
\Notes\ds\enotes
\NOtes\isluru0o\ql{^o}\enotes
\Notes\tslur0l\cl{^l}\enotes
\bar % bar 362 [Flöte II.]
\NOTes\hl q\enotes
\Notes\ds\ibl0p{-4}\isluru0p\qb0{p^n}\tbl0\tslur0l\qb0{^l}\enotes
\bar % bar 363 [Flöte II.]
\Notes\hqsk\ibl0p{-2}\isluru0s\qb0{=s}\tbl0\tslur0r\qb0r\enotes
\NOtesp\ccharnote{N}{\p}\isluru0p\qlp p\enotes
\Notes\icresc\tslur0o\cl{^o}\enotes
\NOtes\itieu0p\ql p\enotes
\xbar % bar 364 [Flöte II.]
\Notes\ttie0\ibl0p{-2}\isluru0p\qb0p\tbl0\tslur0o\qb0{^o}\ds\enotes
\NOtes\isluru0p\ql p\enotes
\Notes\tslur0q\cl{=q}\ds\roff{\zcharnote{a}{\tcresc}}\itieu0q\cl{^q}\enotes
\bar % bar 365 [Flöte II.]
\Notes\ttie0\isluru0q\cl q\enotes
\NOtesp\ccharnote{N}{\ff}\tslur0r\itieu0r\qlp r\enotes
\Notes\ttie0\ibl0n{-1}\isluru0r\qb0{r_pk}\tbl0\tslur0o\qb0o\enotes
\bar % bar 366 [Flöte II.]
\NOtes\qp\enotes
\NOtesp\lcharnote{N}{\ff}\zcharnote{N}{\enspace\smallppff sempre}\isluru0r\qlp r\enotes
\Notes\ibl0n{-1}\qb0{_pk}\tbl0\tslur0o\qb0o\enotes
\bar % bar 367 [Flöte II.]
\NOtes\qp\enotes
\NOtesp\isluru0t\qlp{_s}\enotes
\Notes\ibl0n{-1}\qb0{=q_l}\tbl0\tslur0o\qb0o\enotes
\bar % bar 368 [Flöte II.]
\NOtes\qp\enotes
\NOtesp\isluru0t\qlp{_s}\enotes
\Notes\ibl0n{-1}\qb0{=q_l}\tbl0\tslur0o\qb0o\enotes
\bar % bar 369 [Flöte II.]
\NOtes\qp\enotes
\NOTesp\isluru0r\hlp r\enotes
\bar % bar 370 [Flöte II.]
\NOtes\hqsk\tslur0q\ql{^q}\enotes
\Notes\isluru0t\ibl0p{-2}\qb0{=t}\tbl0\qb0r%
	\ibl0m0\qb0{qp=m}\tbl0\tslur0q\qb0q\enotes
\bar % bar 371 [Flöte II.]
\Notes\isluru0q\ibl0m0\isluru1p\qb0p\tslur1o\qb0o\ust m\qb0{=m}\tbl0\ust p\qb0p%
	\ibl0n{-4}\isluru1o\qb0o\tslur1n\qb0n\ust l\qb0{_l}\tbl0\tslur0j\ust i\qb0{_i}\enotes
% bar 372 [Flöte II.]
\generalsignature{-1}\Changecontext%
\NOtes\ccharnote{L}{\sF}\isluru0i\ql i\enotes
\Notes\tslur0i\cu h\ds\enotes
\NOtes\qp\enotes
\notes\isluru0o\ibbu0g3\qb0{=f}\hqsk\qb0{^g}\hqsk\qb0{=i}\tbbu0\tbu0\qb0k\enotes
\bar % bar 373 [Flöte II.]
\Notes\ccharnote{N}{\ff}\ibl0m2\qb0m\enotes
\notes\tbbl0\tbl0\tslur0o\qb0o\qs\enotes
\NOtes\itieu0o\ql o\enotes
\Notes\ttie0\ibl0o3\isluru0o\qb0o\enotes
\notes\tbbl0\tbl0\tslur0r\qb0{^q}\qs\enotes
\NOtes\ql q\enotes
\bar % bar 374 [Flöte II.]
\NOTes\ccharnote{N}{\ff}\itieu0v\hl v\enotes
\Notes\ttie0\ibl0n{-1}\isluru0v\qb0v\tslur0o\qb0o\ust n\qb0{^n}\tbl0\ust n\qb0{=n}\enotes
\bar % bar 375 [Flöte II.]
\NOtes\isluru0n\ql n\enotes
\NOtesp\tslur0m\qlp m\enotes
\Notes\ccharnote{N}{\ff}\isluru0l\cl l\multnoteskip{0.78}\ibl0n{-2}\tslur0o\usf o\qb0{^n}\bltext0\usf n\qb0{=n}\tbl0\usf m\qb0{=m}\enotes
\doublebar % bar 376-390 [Flöte II.]
\notabene{10pt}{\vbox{\hbox{Pl\"otzlich bedeutend lang-}\hbox{ samer {\ppff (Lento)} und leise}\hbox{ \smallppff Misterioso}}}%
\znotes\zcharnote{n}{\smalltype Fl.I. Solo}\enotes
\longlongrest{15}4%
\xbar % bar 391-397 [Flöte II.]
%notabene{4pt}{Nicht mehr so langsam}%
\longrest7%
% bar 398 [Flöte II.]
\generalsignature{2}\Changecontext%
\notabene{14pt}{Etwas belebter}%
\NOtes\qp\enotes
\notes\multnoteskip\tinyvalue\tinynotesize\islurd0h\ibbbu0h5\qb0{hijklm}\tbbu0\tbbu0\tbu0\qb0n\enotes
\NOTes\ccharnote{N}{\f}\roff{\icresc}\ITrille0q\tslur0l\hl o\zcharnote{a}{\tdecresc}\Ttrille0\enotes
\NOtes\qp\enotes
\bar % bar 399 [Flöte II.]
\NOtes\qp\ccharnote{N}{\f}\itieu0o\ql o\enotes
\Notes\multnoteskip{.72}\ttie0\triolet p\ibl0l0\isluru0o\qb0o\tslur0l\qb0l\hqsk\tbl0\qb0{=m}\enotes
\notes\ibbl0k0\isluru0n\qb0n\tslur0m\qb0m\hqsk\qb0{^j}\tbbl0\tbl0\qb0k\enotes
\bar % bar 400 [Flöte II.]
\notabene{11pt}{gehalten}%
\notes\ibbu0j{-3}\islurd0l\qb0l\tslur0j\qb0{j^f}\tbbu0\tbu0\qb0g\enotes
\notes\multnoteskip{.72}\hqsk\triolet d\ibbu0h0\islurd0f\busf0\qb0{^gh}\tbbu0\qb0i\enotes
\Notes\tbu0\ITrille0q\tslur0g\itied0h\qb0h\enotes
\NOTes\ttie0\itied0h\hu h\Ttrille0\enotes
\bar % bar 401 [Flöte II.]
\notes\ibbu0h{-3}\ttie0\islurd0h\qb0h\tslur0f\qb0f\tbbu0\tbu0\qb0d\qs\enotes
\NOtes\qp\enotes
\NOTes\hpause\enotes
\bar % bar 402-405 [Flöte II.]
\longrest4%
\bar % bar 406 [Flöte II.]
\notabene{0pt}{\vbox{\hbox{Schon ganz}\hbox{ langsam}}}%
\guideexcerptstyle%
\znotes\zcharnote{L}{\smalltype Fl.III., IV.}\enotes
\NOTes\tinynotesize\hpause\itied0d\itieu1f\zh d\hu f\enotes
\excerptpause1%
\xbar % bar 407 [Flöte II.]
\NOTEs\tinynotesize\ttie0\itied0d\ttie1\itieu1f\zw d\wh f\enotes
\excerptpause1%
\bar % bar 408 [Flöte II.]
\NOTes\tinynotesize\ttie0\islurd0c\ttie1\isluru1e\zh d\hu f\tslur0b\tslur1e\lna c\zh c\hu{_e}\enotes
\excerptpause1%
\defaultskipstyle%
\bar % bar 409-412 [Flöte II.]
\longrest4%
\bar % bar 413 [Flöte II.]
\guideexcerptstyle%
\znotes\ccharnote{p}{\smalltype Klar.(Es)}\enotes
\NOTes\tinynotesize\hpause\enotes
\NOtesp\tinynotesize\isluru0k\qup h\enotes
\notes\tinynotesize\tslur0o\cl o\enotes
\excerptpause{-3}%
\bar % bar 414 [Flöte II.]
\NOTes\tinynotesize\isluru0o\hl o\tslur0r\itieu0r\hl r\enotes
\excerptpause{-3}%
\bar % bar 415 [Flöte II.]
\NOtes\tinynotesize\ttie0\ql r\enotes
\NOTes\tinynotesize\isluru0q\hl{=q}\enotes
\NOtes\tinynotesize\tslur0l\ql l\enotes
\excerptpause{-3}%
\defaultskipstyle%
\bar % bar 416 [Flöte II.]
\notabene{6pt}{Sehr z\"ogernd}%
\NOTes\hpause\enotes
\NOtes\qp\zcharnote{N}{\smallppff espr.}\isluru0k\usf k\ql k\enotes
\bar % bar 417 [Flöte II.]
\NOTesp\ccharnote{N}{\p}\tslur0j\hlp j\enotes
\NOtes\qp\enotes
\bar % bar 418 [Flöte II.]
\NOTes\hpause\islurd0i\usf p\hu i\enotes
\bar % bar 419 [Flöte II.]
\NOTesp\tslur0h\hup h\enotes
\NOtes\qp\enotes
\bar % bar 420 [Flöte II.]
\NOTes\hpause\islurd0g\usf n\hu g\enotes
\bar % bar 421 [Flöte II.]
\NOTEs\hqsk\tslur0f\itied0f\wh{=f}\enotes
\bar % bar 422 [Flöte II.]
\NOTEs\ttie0\islurd0f\wh f\enotes
\bar % bar 423 [Flöte II.]
\notabene{0pt}{Schwebend}%
\NOTEs\hqsk\tslur0e\islurd0e\wh{_e}\enotes
\bar % bar 424 [Flöte II.]
\NOTEs\tslur0d\itied0d\wh d\enotes
\bar % bar 425 [Flöte II.]
\NOTEs\ttie0\itied0d\wh d\enotes
\bar % bar 426 [Flöte II.]
\NOTEs\ttie0\itied0d\wh d\enotes
\bar % bar 427 [Flöte II.]
\NOTes\ttie0\hu d\hpause\enotes
\bar % bar 428-~ [Flöte II.]
\tacet{27}0%
\Endpiece