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nbuumu_0002_1.xml
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<ead xmlns="urn:isbn:1-931666-22-9" xsi="xsi=&quot;http://www.w3.org/2001/XMLSchema-instance" xlink="http://www.w3.org/1999/xlink" schemaLocation="urn:isbn:1-931666-22-9 http://www.loc.gov/ead/ead.xsd">
<eadheader audience="external" langencoding="iso639-2b" scriptencoding="iso15924" relatedencoding="dc" repositoryencoding="iso15511" countryencoding="iso3166-1" dateencoding="iso8601">
<eadid countrycode="US" mainagencycode="nbuumu" encodinganalog="identifier" publicid="-//State University of New York at Buffalo::Music Library//TEXT (US::NBuU-Mu::Mus. Arc. 2.1::Morton Feldman Papers)//EN">nbuumu_0002_1</eadid>
<filedesc>
<titlestmt>
<titleproper encodinganalog="title">Finding Aid for the Morton Feldman
Papers,
<date encodinganalog="date" era="ce" calendar="gregorian" type="inclusive" normal="1950/1999"> 1950-1999 </date> </titleproper>
<titleproper type="filing" altrender="nodisplay">Feldman (Morton)
Papers </titleproper>
<author encodinganalog="contributor">Finding aid prepared by John
Bewley.</author>
</titlestmt>
<publicationstmt>
<publisher encodinganalog="publisher">State University of New York at Buffalo. Music Library</publisher>
<address>
<addressline>112 Baird Hall</addressline>
<addressline>Buffalo, New York 14260-4750</addressline>
<addressline>United States</addressline>
<addressline>Phone: 716 645-2924</addressline>
<addressline>Fax: 716 645-3906</addressline>
<addressline/>
<addressline/>
</address>
<p>&#xA9;
<date type="publication" encodinganalog="date">2009</date>. State
University of New York at Buffalo. All rights reserved.</p>
</publicationstmt>
</filedesc>
<profiledesc>
<creation>Finding aid encoded in EAD by John Bewley. </creation>
<langusage>Finding aid written in
<language encodinganalog="language" langcode="eng">English.</language>
</langusage>
<descrules>Finding aid prepared using DACS (
<title render="italic">Describing Archives: A Content Standard
</title>).</descrules>
</profiledesc>
</eadheader>
<archdesc level="collection" type="inventory" relatedencoding="marc21">
<did>
<head>Collection Overview</head>
<unittitle label="Title" encodinganalog="245$a">Morton Feldman Papers,
<unitdate encodinganalog="245$f" normal="1950/1999" type="inclusive" datechar="creation"> 1950-1999 </unitdate>
</unittitle>
<unitid encodinganalog="099" countrycode="US" repositorycode="NBuU-Mu" label="Collection Number">Mus. Arc. 2.1</unitid>
<origination label="Creator">
<persname encodinganalog="100" role="creator" source="lcnaf">Feldman,
Morton, 1926-1987 </persname>
</origination>
<physdesc label="Extent">
<extent unit="box" encodinganalog="300$a">16
boxes</extent>
</physdesc>
<langmaterial label="Language of Material" encodinganalog="546">
Collection material chiefly in <language encodinganalog="041" langcode="eng">English</language>, with additional content in
<language encodinganalog="041" langcode="fre">French</language>,
<language encodinganalog="041" langcode="ger">German</language>,
<language encodinganalog="041" langcode="ita">Italian</language>, and
<language encodinganalog="041" langcode="swe">Swedish</language>.
</langmaterial>
<repository label="Repository" encodinganalog="852">
<corpname>State University of New York at Buffalo. Music Library</corpname>
<address>
<addressline>112 Baird Hall</addressline>
<addressline>Buffalo, New York 14260-4750</addressline>
<addressline>United States</addressline>
<addressline>Phone: 716 645-2924</addressline>
<addressline>Fax: 716 645-3906</addressline>
<addressline/>
<addressline/>
</address>
</repository>
<abstract label="Abstract" encodinganalog="520$a"> The Morton Feldman
Papers comprise personal and business correspondence, writings by and about
Feldman, clippings, programs, and photographs. </abstract>
<unitdate type="inclusive" normal="1950/1999"> 1950-1999 </unitdate>
</did>
<descgrp type="admininfo">
<head>Administrative Information</head>
<prefercite encodinganalog="524">
<head>Preferred Citation</head>
<p>[Specified item], Morton Feldman Papers, 1950-1999, Music Library,
The State University of New York at Buffalo.</p>
</prefercite>
<accessrestrict encodinganalog="506">
<head>Terms of Access</head>
<p>Materials can be examined by qualified researchers in the Music
Library during hours of operation during which Music Librarians are present. In
order to insure access, researchers are advised to contact the Music Library in
advance of visits. </p>
</accessrestrict>
<userestrict encodinganalog="540">
<head>Copyright</head>
<p>Copyright for the materials in the collection does not reside with
the Music Library. Therefore, patrons wishing to publish any item, or part of
an item from this collection for any purpose, are responsible for securing
requisite permissions. </p>
</userestrict>
<acqinfo encodinganalog="541">
<head>Acquisition Information</head>
<p>The bulk of the material was received as a gift from Barbara Monk
Feldman in 1992. Additional photographs were donated by William M. Colleran.
Some clippings and programs were added by Music Library staff subsequent to the
receipt of the collection. </p>
</acqinfo>
<accruals encodinganalog="584">
<head>Accruals and Additions</head>
<p>No further accruals are expected to this collection. </p>
</accruals>
<altformavail encodinganalog="530">
<head>Alternate Forms</head>
<p>Photographs in the collection have been digitized and are available in
<extref href="http://digital.lib.buffalo.edu/collection/LIB-MUS016/" show="replace" actuate="onrequest" role="text/html">University at Buffalo Libraries Digital Collections</extref>.</p>
</altformavail>
<processinfo encodinganalog="583">
<head>Processing Information</head>
<p>Initial processing by Brian K. Ross, 1993. Reprocessed by John
Bewley, Summer 2000. </p>
</processinfo>
</descgrp>
<bioghist encodinganalog="545">
<head>Biographical Note</head>
<p>Composer Morton Feldman (1926-1987) was best known for his association
with the New York School of experimentalist musicians, including composers John
Cage, Christian Wolff, and Earle Brown, and pianist David Tudor. In addition to
composing approximately 150 works, Feldman also wrote more than three dozen
articles about various aspects of music and art. </p>
<p>Feldman was a member of the music department faculty at the State
University of New York at Buffalo from 1972-1987. During those years he served
as Slee Professor of Music 1972-1973, Edgar Var&#xE8;se Professor 1975-1987, and
Director of the Center of the Creative and Performing Arts, 1976-1980. He was
also responsible for creating the June in Buffalo festival of contemporary
music in 1975. </p>
</bioghist>
<scopecontent encodinganalog="520">
<head>Scope and Content Note</head>
<p>The Morton Feldman Papers consist predominantly of secondary
materials, including eight boxes of programs and clippings, two boxes of
Feldman's published writings, and another box of writings for or about Feldman.
Other than a small number of musical fragments, it contains none of Feldman's
scores, printed or manuscript. </p>
<p>There are two prose manuscripts and six typescripts by Feldman in the
collection. These are primarily brief (the longest is 5 leaves) and fragmentary
in nature. Feldman's published writings are represented by thirty-two articles
in the collection. The list includes articles translated into German, Swedish,
Italian, and French. Eighteen interviews and conversations with Feldman are
also included in the collection, almost all of them available in published
versions. </p>
<p>The correspondence in the Morton Feldman Papers reveals little of a
personal nature about Feldman. The letters in the fifty-three folders of
General Correspondence include letters of appreciation from students,
invitations to appear at functions, letters regarding details of upcoming
events, and letters of thanks from presenters of concerts and lectures. </p>
<p>There are only three letters from Feldman included in the General
Correspondence. They are filed by name of the addressee. One of these, a
photocopy of a letter sent to soprano Joan La Barbara along with the score of
Feldman's composition Three Voices, is perhaps the only letter in the
collection with any musical content. Feldman's other two letters were to
University at Buffalo colleagues, James Coover and Maria Runfola. </p>
<p>There are an additional eleven folders of correspondence related to
awards received by Feldman, commissions, contracts for appearances, and royalty
statements. Feldman served as a consultant for the Mark Rothko Foundation's
Mark Rothko Fund, which granted funds to older artists, writers, and musicians.
Correspondence received from applicants with backgrounds in music was sent to
Feldman for his recommendation. The correspondence is addressed to the
treasurer of the foundation, Bernard J. Reis. </p>
<p>There are more than five hundred programs and announcements in the
collection and approximately four hundred clippings and reviews. Together these
provide substantial documentation of Feldman's career and the critical
reception of his music. The collection of sixty-one photographs contains candid
snapshots, as well as some formal portraits of Feldman taken while he was at
Darmstadt in 1986. </p>
<p>The principal collection of material related to the life and career of
Morton Feldman is located at the Paul Sacher Stiftung in Basel, Switzerland.
</p>
</scopecontent>
<arrangement encodinganalog="351">
<head>Arrangement</head>
<p> The collection is arranged in eleven series.</p>
<list type="simple">
<item>
<ref target="series1" show="replace" actuate="onrequest"> I. Personal
documents</ref>
</item>
<item>
<ref target="series2" show="replace" actuate="onrequest"> II.
Manuscripts and typescripts</ref>
<list type="simple">
<item>
<ref target="series2a" show="replace" actuate="onrequest"> A.
Writings by Feldman</ref>
</item>
<item>
<ref target="series2b" show="replace" actuate="onrequest"> B.
Musical fragments</ref>
</item>
</list>
</item>
<item>
<ref target="series3" show="replace" actuate="onrequest"> III.
Printed articles by Feldman</ref>
</item>
<item>
<ref target="series4" show="replace" actuate="onrequest"> IV. Feldman
interviews and conversations</ref>
</item>
<item>
<ref target="series5" show="replace" actuate="onrequest"> V. Writings
for, or about, Feldman</ref>
</item>
<item>
<ref target="series6" show="replace" actuate="onrequest"> VI. Subject
files</ref>
</item>
<item>
<ref target="series7" show="replace" actuate="onrequest"> VII.
Correspondence</ref>
<list type="simple">
<item>
<ref target="series7a" show="replace" actuate="onrequest"> A.
General</ref>
</item>
<item>
<ref target="series7b" show="replace" actuate="onrequest"> B.
Awards</ref>
</item>
<item>
<ref target="series7c" show="replace" actuate="onrequest"> C.
Business: contracts, royalties, commissions, and publishing</ref>
</item>
<item>
<ref target="series7d" show="replace" actuate="onrequest"> D.
Mark Rothko Foundation</ref>
</item>
<item>
<ref target="series7e" show="replace" actuate="onrequest"> E.
Student papers</ref>
</item>
</list>
</item>
<item>
<ref target="series8" show="replace" actuate="onrequest"> VIII.
Programs and announcements</ref>
</item>
<item>
<ref target="series9" show="replace" actuate="onrequest"> IX.
Clippings</ref>
</item>
<item>
<ref target="series10" show="replace" actuate="onrequest"> X.
Photographs</ref>
</item>
<item>
<ref target="series11" show="replace" actuate="onrequest"> XI.
Oversize</ref>
</item>
</list>
</arrangement>
<dsc type="combined">
<head>Container List</head>
<c level="series" id="c_5ccc8a0d57f74">
<did>
<unitid id="series1">I.</unitid>
<unittitle>Personal documents,
<unitdate type="inclusive" normal="1961/1985"> 1961-1985</unitdate>
</unittitle>
<physdesc>
<extent> Folders 1-4</extent>
</physdesc>
</did>
<arrangement>
<p>In original order.</p>
</arrangement>
<c level="file" id="c_5ccc8a0d57f82">
<did>
<container type="box">1</container>
<container type="folder">1</container>
<unittitle>Vita,
<unitdate type="inclusive" normal="1968/1972">circa
1970</unitdate>
</unittitle>
</did>
</c>
<c level="file" id="c_5ccc8a0d57f86">
<did>
<container type="box">1</container>
<container type="folder">2</container>
<unittitle>Vita,
<unitdate type="inclusive" normal="1985">1985</unitdate>
</unittitle>
</did>
</c>
<c level="file" id="c_5ccc8a0d57f8a">
<did>
<container type="box">1</container>
<container type="folder">3</container>
<unittitle>Travel vouchers,
<unitdate type="inclusive" normal="198106">June
1981</unitdate>
</unittitle>
</did>
</c>
<c level="file" id="c_5ccc8a0d57f8e">
<did>
<container type="box">1</container>
<container type="folder">4</container>
<unittitle>Voter registration card, New York City,
<unitdate type="inclusive" normal="1961">1961</unitdate>
</unittitle>
</did>
</c>
</c>
<c level="series" id="c_5ccc8a0d57f91">
<did>
<unitid id="series2">II.</unitid>
<unittitle>Manuscripts and typescripts,
<unitdate type="inclusive" normal="1950/1985"> circa
1950-1985</unitdate> </unittitle>
<physdesc>
<extent> Folders 5-16</extent>
</physdesc>
</did>
<scopecontent>
<p>Musical and prose manuscripts and typescripts.</p>
</scopecontent>
<c level="subseries" id="c_5ccc8a0d57f95">
<did>
<unitid id="series2a">II.A</unitid>
<unittitle>Writings by Feldman,
<unitdate type="inclusive" normal="1950/1985" certainty="approximate">circa 1950-1985</unitdate>
</unittitle>
<physdesc>
<extent>Folders 5-15</extent>
</physdesc>
</did>
<scopecontent>
<p>Two manuscript and six typescript writings by Feldman, chiefly
fragmentary. A transcription of all the writings, with the exception of one
typescript, is included. </p>
</scopecontent>
<c level="item" id="c_5ccc8a0d57f9a">
<did>
<container type="box">1</container>
<container type="folder">5</container>
<unittitle>Manuscript 1:
<title>Piano and Voices II was written ...</title>,
<unitdate normal="1950/1987" type="inclusive">undated</unitdate>
</unittitle>
<dao linktype="simple" href="../xtf/images/music/ubmu0002_1folder5.pdf" actuate="onrequest" show="new"/>
<physdesc>
<extent>5 leaves</extent>
</physdesc>
<note>
<p>Title from first line of text.</p>
</note>
</did>
</c>
<c level="item" id="c_5ccc8a0d57f9f">
<did>
<container type="box">1</container>
<container type="folder">6</container>
<unittitle>Manuscript 2:
<title>The first enthusiastic mention of G.S. [Giacinto Scelsi]
...</title>,
<unitdate normal="1950/1987" type="inclusive">undated</unitdate>
</unittitle>
<dao linktype="simple" href="../xtf/images/music/ubmu0002_1folder6.pdf" actuate="onrequest" show="new">
</dao>
<physdesc>
<extent>1 leaf</extent>
</physdesc>
<note>
<p>Title from first line of text. </p>
</note>
</did>
</c>
<c level="item" id="c_5ccc8a0d57fa3">
<did>
<container type="box">1</container>
<container type="folder">7</container>
<unittitle>Typescript 1:
<title>Sound, noise, Var&#xE8;se, Boulez</title>,
<unitdate normal="1956/1958" type="inclusive">circa
1958</unitdate>
</unittitle>
<dao linktype="simple" href="../xtf/images/music/ubmu0002_1folder7.pdf" actuate="onrequest" show="new"/>
<physdesc>
<extent>2 leaves</extent>
</physdesc>
<note>
<p>Published In
<title type="journal">It Is</title>, 1958.</p>
</note>
</did>
</c>
<c level="item" id="c_5ccc8a0d57fa8">
<did>
<container type="box">1</container>
<container type="folder">8</container>
<unittitle>Typescript 2:
<title>I can't say that in terms of fame ...</title>,
<unitdate normal="1950/1987" type="inclusive">undated</unitdate>
</unittitle>
<dao linktype="simple" href="../xtf/images/music/ubmu0002_1folder8.pdf" actuate="onrequest" show="new"/>
<physdesc>
<extent>1 leaf</extent>
</physdesc>
<note>
<p>Title from first line of text, which begins on p. 2.</p>
</note>
</did>
</c>
<c level="item" id="c_5ccc8a0d57fad">
<did>
<container type="box">1</container>
<container type="folder">9</container>
<unittitle>Typescript 3:
<title>Mid-way</title>,
<unitdate normal="1950/1987" type="inclusive">undated</unitdate>
</unittitle>
<dao linktype="simple" href="../xtf/images/music/ubmu0002_1folder9.pdf" actuate="onrequest" show="new"/>
<physdesc>
<extent>2 leaves</extent>
</physdesc>
<note>
<p>First line of text: "I am writing this at mid-career
..."</p>
</note>
</did>
</c>
<c level="item" id="c_5ccc8a0d57fb2">
<did>
<container type="box">1</container>
<container type="folder">10</container>
<unittitle>Typescript 4:
<title>Jackson Pollock</title>,
<unitdate normal="1950/1987" type="inclusive">undated</unitdate>
</unittitle>
<dao linktype="simple" href="../xtf/images/music/ubmu0002_1folder10.pdf" actuate="onrequest" show="new"/>
<physdesc>
<extent>2 leaves</extent>
</physdesc>
</did>
</c>
<c level="item" id="c_5ccc8a0d57fb8">
<did>
<container type="box">1</container>
<container type="folder">11</container>
<unittitle>Typescript 5:
<title>This is not in the nature of an apology ...</title>,
<unitdate normal="1950/1987" type="inclusive">undated</unitdate>
</unittitle>
<dao linktype="simple" href="../xtf/images/music/ubmu0002_1folder11.pdf" actuate="onrequest" show="new"/>
<physdesc>
<extent>1 leaf</extent>
</physdesc>
<note>
<p>Title from first line of text.</p>
</note>
</did>
</c>
<c level="item" id="c_5ccc8a0d57fbd">
<did>
<container type="box">1</container>
<container type="folder">12</container>
<unittitle>Typescript 6:
<title>Aphorisms</title>,
<unitdate normal="1950/1987" type="inclusive">undated</unitdate>
</unittitle>
<dao linktype="simple" href="../xtf/images/music/ubmu0002_1folder12.pdf" actuate="onrequest" show="new"/>
<physdesc>
<extent>3 leaves</extent>
</physdesc>
</did>
</c>
<c level="item" id="c_5ccc8a0d57fc3">
<did>
<container type="box">1</container>
<container type="folder">12a</container>
<unittitle>Typescript 7:
<title>What is so characteristic of the 20th century is that
Hindemuth [sic]...</title>,
<unitdate normal="1950/1987" type="inclusive">undated</unitdate>
</unittitle>
<dao linktype="simple" href="../xtf/images/music/ubmu0002_1folder12a.pdf" actuate="onrequest" show="new"/>
<physdesc>
<extent>1 leaf</extent>
</physdesc>
<note>
<p>Title from first line of text.</p>
</note>
</did>
</c>
<c level="item" id="c_5ccc8a0d57fc9">
<did>
<container type="box">1</container>
<container type="folder">13</container>
<unittitle>Transcriptions by Sebastian Claren of all but
Typescript 1 above</unittitle>
</did>
</c>
<c level="item" id="c_5ccc8a0d57fcf">
<did>
<container type="box">1</container>
<container type="folder">14</container>
<unittitle>Quotations from Hart Crane and Rameau in Feldman's
hand</unittitle>
</did>
</c>
<c level="item" id="c_5ccc8a0d57fd5">
<did>
<container type="box">1</container>
<container type="folder">15</container>
<unittitle>Typescript and manuscript Ph.D. examination questions
for four students at the State University of New York at Buffalo</unittitle>
</did>
</c>
</c>
<c level="subseries" id="c_5ccc8a0d57fdb">
<did>
<unitid id="series2b">II.B</unitid>
<unittitle>Musical fragments,
<unitdate type="inclusive" normal="1950/1987">undated</unitdate>
</unittitle>
<physdesc>
<extent>Folders 16a-16e</extent>
</physdesc>
</did>
<scopecontent>
<p>Five musical fragments in holograph.</p>
</scopecontent>
<c level="item" id="c_5ccc8a0d57fe1">
<did>
<container type="box">1</container>
<container type="folder">16a</container>
<unittitle>
<title render="italic">Unheard footfalls only sound</title>,
<unitdate normal="1950/1987" type="inclusive">undated</unitdate>
</unittitle>
<physdesc>
<extent>1 leaf</extent>
</physdesc>
<note>
<p>Sketch for what became a section of Feldman's composition,
<title render="italic">Neither</title>.</p>
</note>
</did>
<scopecontent>
<p>Includes 1 reproduction on heavier paper.</p>
</scopecontent>
</c>
<c level="item" id="c_5ccc8a0d57fe7">
<did>
<container type="box">1</container>
<container type="folder">16b</container>
<unittitle>Untitled graphically-notated score fragment for
"Brass, Woodwinds and Metal",
<unitdate normal="1950/1987" type="inclusive">undated</unitdate>
</unittitle>
<physdesc>
<extent>1 leaf</extent>
</physdesc>
</did>
</c>
<c level="item" id="c_5ccc8a0d57fee">
<did>
<container type="box">1</container>
<container type="folder">16c</container>
<unittitle>Untitled sketches: Side A: dated Sept. 7/56;
single-line melody. Side B: two staves, d minor triad arpeggio repeated in left
hand,
<unitdate normal="1956" type="inclusive">1956</unitdate>
</unittitle>
<physdesc>
<extent>1 leaf music paper with music on both sides, in
pencil</extent>
</physdesc>
</did>
</c>
<c level="item" id="c_5ccc8a0d57ff4">
<did>
<container type="box">1</container>
<container type="folder">16d</container>
<unittitle>
<title render="italic">Followe Thy Faire Sunne</title>, for
voice and chimes,
<unitdate normal="1962" type="inclusive">1962</unitdate>
</unittitle>
<physdesc>
<extent>1 leaf, in pencil</extent>
</physdesc>
<note>
<p>Text by Thomas Campion. </p>
<p>Unpublished work; Fair copy in Paul Sacher Stiftung has
slightly different ending.</p>
</note>
</did>
</c>
<c level="item" id="c_5ccc8a0d57ffc">
<did>
<container type="box">1</container>
<container type="folder">16e</container>
<unittitle>Untitled pencil manuscript, possibly for violin and
piano
<unitdate normal="1957" type="inclusive">1957</unitdate>
</unittitle>
<physdesc>
<extent>1 leaf</extent>
</physdesc>
<note>
<p>On verso: handwritten information about "All Feldman
concert, Jan. 1, 1957 Projections, Intersections".</p>
</note>
</did>
</c>
</c>
</c>
<c level="series" id="c_5ccc8a0d58003">
<did>
<unitid id="series3">III.</unitid>
<unittitle>Printed articles by Morton Feldman,
<unitdate type="inclusive" normal="1951/1997"> 1951-1997</unitdate>
</unittitle>
<physdesc>
<extent> Folders 17-53</extent>
</physdesc>
</did>
<arrangement>
<p>The folders are alphabetically arranged by article title. Where an
article appears in a foreign translation, it is filed under the English title,
followed by the language of the translation. Additional program notes written
by Feldman can be found in Series VIII, Programs and Announcements. </p>
</arrangement>
<c level="file" id="c_5ccc8a0d5800a">
<did>
<container type="box">1</container>
<container type="folder">17</container>
<unittitle>
<title type="article">After Modernism</title>,
<unitdate type="inclusive"> February 1967</unitdate>
</unittitle>
<note>
<p>Published In
<title type="journal"> Six Painters: Mondrian, Guston, Kline, De
Kooning, Pollock, Rothko : Houston, Texas, February-April 1967 </title>,
University of St. Thomas Art Department: 14-22</p>
</note>
</did>
</c>
<c level="file" id="c_5ccc8a0d58012">
<did>
<container type="box">1</container>
<container type="folder">18</container>
<unittitle>
<title type="article">Anxiety of Art</title>,
<unitdate type="inclusive">1973</unitdate>
</unittitle>
<note>
<p>Published In
<title type="journal">Art in America</title>, v. 61, n. 5
(September-October 1973): 88-93</p>
</note>
</did>
</c>
<c level="file" id="c_5ccc8a0d5801a">
<did>
<container type="box">2</container>
<container type="folder">50</container>
<unittitle>
<title type="uniform">Anxiety of Art. German</title>
<title type="article">Angst vor der Kunst</title>,
<unitdate type="inclusive">1997</unitdate>
</unittitle>
<note>
<p>Published In
<title type="journal">G&#xFC;tersloh '97 : f&#xFC;r Morton Feldman
</title>[program book]: 29-34. The program book also contains Feldman's
articles:
<title type="article">Strawinsky</title> and
<title type="article">&#xDC;ber Stefan Wolpe</title>. </p>
</note>
</did>
</c>
<c level="file" id="c_5ccc8a0d58022">
<did>
<container type="box">1</container>
<container type="folder">19</container>
<unittitle>
<title type="uniform">Anxiety of Art. Swedish</title>
<title type="article">Konstens &#xE4;ngslan</title>,
<unitdate type="inclusive">1968-1969</unitdate>
</unittitle>
<note>
<p>Published In
<title type="journal">Nutida Musik</title>, v. 12, n. 3
(1968/69): 36-41</p>
</note>
</did>
</c>
<c level="file" id="c_5ccc8a0d5802b">
<did>
<container type="box">1</container>
<container type="folder">20</container>
<unittitle>
<title type="article">Between categories</title>,
<unitdate type="inclusive">1973</unitdate>
</unittitle>
<note>
<p>Published In
<title type="journal">Mundus Artium</title>, v. 6, n. 1 (1973):
p. 94-98</p>
</note>
</did>
</c>
<c level="file" id="c_5ccc8a0d58033">
<did>
<container type="box">1</container>
<container type="folder">21</container>
<unittitle>
<title type="uniform">Between categories. French</title>
<title type="article">Entre des cat&#xE9;gories</title>,
<unitdate type="inclusive">1970</unitdate>
</unittitle>
<note>
<p>Published In
<title type="journal">Musique en jeu</title>, v. 1? 1970?:
22-26</p>
</note>
</did>
</c>
<c level="file" id="c_5ccc8a0d5803c">
<did>
<container type="box">1</container>
<container type="folder">22</container>
<unittitle>
<title type="uniform">Between categories. Swedish</title>
<title type="article">Mellan kategorierna</title>,
<unitdate type="inclusive">1968-1969</unitdate>
</unittitle>
<note>
<p>Published In
<title type="journal">Nutida Musik</title>, v. 12, n. 4
(1968/69): 25-27</p>
</note>
</did>
</c>
<c level="file" id="c_5ccc8a0d58045">
<did>
<container type="box">1</container>
<container type="folder">23</container>
<unittitle>
<title type="article">Boola Boola</title>,
<unitdate type="inclusive">1966-1967</unitdate>
</unittitle>
<note>
<p>Published In
<title type="journal">Composer</title> (Composers Guild of
Britain), n. 22 (Winter 1966/67): 13-16</p>
</note>
</did>
</c>
<c level="file" id="c_5ccc8a0d5804f">
<did>
<container type="box">1</container>
<container type="folder">24</container>
<unittitle>
<title render="italic">Contemporary Music Catalogue</title>,
<unitdate type="inclusive">August 12, 1975</unitdate>
</unittitle>
<note>
<p>Edition Peters, 1975. p. 32.</p>
<p> Facsimile of one paragraph holograph of Feldman's stating why
he no longer wrote about music. </p>
</note>
</did>
</c>
<c level="file" id="c_5ccc8a0d58058">
<did>
<container type="box">1</container>
<container type="folder">25</container>
<unittitle>
<title type="article">Crippled symmetry</title>,
<unitdate type="inclusive">1981</unitdate>
</unittitle>
<note>
<p>Published In
<title type="journal">Res</title>, 2 (Autumn 1981): 91-103 </p>
</note>
</did>
</c>
<c level="file" id="c_5ccc8a0d58061">
<did>
<container type="box">1</container>
<container type="folder">26</container>
<unittitle>
<title type="article">Earle Brown</title>,
<unitdate type="inclusive">1966</unitdate>
</unittitle>
<note>
<p>Universal Edition pamphlet, 1 page. </p>
</note>
</did>
</c>
<c level="file" id="c_5ccc8a0d5806b">
<did>
<container type="box">1</container>
<container type="folder">27</container>
<unittitle>
<title type="article">Essay [on Philip Guston]</title>,
<unitdate type="inclusive">1980</unitdate>
</unittitle>
<note>
<p>Published In
<title type="journal">Philip Guston, 1980: the last works :
organized by the Phillips Collection</title>: 5-8 </p>
</note>
</did>
</c>
<c level="file" id="c_5ccc8a0d58075">
<did>
<container type="box">1</container>
<container type="folder">28</container>
<unittitle>
<title type="uniform">Essay [on Philip Guston]. German </title>
<title type="article">Essay</title>,
<unitdate type="inclusive">1996</unitdate>
</unittitle>
<note>
<p>Published In
<title type="journal">Morton Feldman zum 70. Geburtstag: For
Philip Guston : Sonntag, 21. Januar 1996 in der Berlinischen Galerie,
Martin-Gropius-Bau</title>: 16-20</p>
<p>Includes articles about Feldman. </p>
</note>
</did>
</c>
<c level="file" id="c_5ccc8a0d5807f">
<did>
<container type="box">2</container>
<container type="folder">29</container>
<unittitle>
<title type="uniform">False relationships (Swedish)</title>,
<unitdate type="inclusive">1969-1970</unitdate>
</unittitle>
<note>
<p>Published In
<title type="journal">Nutida Musik</title>, v. 13, n. 2
(1969/70): 16 (1 paragraph) </p>
</note>
</did>
</c>
<c level="file" id="c_5ccc8a0d5808a">
<did>
<container type="box">2 </container>
<container type="folder">30</container>
<unittitle>
<title type="article">In Memoriam: Edgard Var&#xE8;se
(1883-1965)</title>,
<unitdate type="inclusive">1966</unitdate>
</unittitle>
<note>
<p>Published In
<title type="journal">Perspectives of New Music</title>, v. 4, n.
2 (Spring-Summer 1966): 12 </p>
</note>
</did>
</c>
<c level="file" id="c_5ccc8a0d58095">
<did>
<container type="box">2 </container>
<container type="folder">31</container>
<unittitle>
<title type="uniform">In Memoriam: Edgard Var&#xE8;se (1883-1965).
German </title>,
<unitdate type="inclusive">1988</unitdate>
</unittitle>
<note>
<p>Published In
<title type="journal">Positionen der Moderne: Drei Konzerte,
Berlinische Galerie, Museum f&#xFC;r Moderne K&#xFC;nst, Photographie und Architektur:
12., 13. und 14. Februar 1988, Martin-Gropius-Bau</title>: 13 </p>
</note>
</did>
</c>
<c level="file" id="c_5ccc8a0d580a0">
<did>
<container type="box">2</container>
<container type="folder">46</container>
<unittitle>
<title type="uniform">In Memoriam: Edgard Var&#xE8;se (1883-1965).
Swedish </title>,
<unitdate type="inclusive">1967-1968</unitdate>
</unittitle>
<note>
<p>Published In
<title type="journal">Nutida Musik</title>, v. 11, n. 5-6
(1967/68): 46-47. The issue also contains Feldman's article,
<title type="article">Varken eller</title> (
<title type="article">Neither - Nor. Swedish</title>
</p>
</note>
</did>
</c>
<c level="file" id="c_5ccc8a0d580ab">
<did>
<container type="box">2</container>
<container type="folder">32</container>
<unittitle>
<title render="italic">Internationale Ferienkurse f&#xFC;r Neue Musik
Darmstadt 1986: Komponistenforum Morton Feldman, </title>
<unitdate type="inclusive">24. 7. 1986</unitdate>
</unittitle>
<note>
<p>Lecture, parts missing. Transcription by Sebastian Claren,
1993. 10 p. </p>
</note>
</did>
</c>
<c level="file" id="c_5ccc8a0d580b6">
<did>
<container type="box">2 </container>
<container type="folder">33</container>
<unittitle>
<title type="article">John de Menil (1904-1973) </title>,
<unitdate type="inclusive">1973</unitdate>
</unittitle>
<note>
<p>Published In
<title type="journal">Art in America, </title> v. 61, n. 6
(Nov.-Dec. 1973): 41 </p>
</note>
</did>
</c>
<c level="file" id="c_5ccc8a0d580c1">
<did>
<container type="box">2 </container>
<container type="folder">34</container>
<unittitle>June in Buffalo lecture,
<unitdate type="inclusive">Tuesday 17 June 1986
</unitdate>
</unittitle>
<note>
<p>Beginning of lecture missing. Transcription by Sebastian
Claren, 1993. 11 p. </p>
</note>
</did>
</c>
<c level="file" id="c_5ccc8a0d580cd">
<did>
<container type="box">2 </container>
<container type="folder">35</container>
<unittitle>Letter to the editor of
<title type="journal">Art News</title>,
<unitdate type="inclusive">April 1954</unitdate>
</unittitle>
<note>
<p>Published In
<title type="journal">Art News, </title> v. 53, n. 2 (April
1954): 6. One paragraph and editor's response. </p>
</note>
</did>
</c>
<c level="file" id="c_5ccc8a0d580d9">
<did>
<container type="box">2 </container>
<container type="folder">36</container>
<unittitle>
<title type="article">A Life without Bach or Beethoven </title>,
<unitdate type="inclusive">1964</unitdate>
</unittitle>
<note>
<p>Published In
<title type="journal">Listen: a music monthly</title> (May-June
1964): 14 </p>
</note>
</did>
</c>
<c level="file" id="c_5ccc8a0d580e5">
<did>
<container type="box">2 </container>
<container type="folder">37</container>
<unittitle>
<title type="uniform">Life without Bach or Beethoven.
Italian</title>
<title type="article">Una vita senza Bach e Beethoven </title>,
<unitdate type="inclusive">1969</unitdate>
</unittitle>
<note>
<p>Published In
<title type="journal">Lo Spettatore Musicale </title> (March
1969): 2-4 </p>
</note>
</did>
</c>
<c level="file" id="c_5ccc8a0d580f1">
<did>
<container type="box">2 </container>
<container type="folder">38</container>
<unittitle>Liner notes written for Time/Life recording,