Music.tex

\documentclass{article}
\usepackage{musixtex}
\input musixlyr
\usepackage[english, danish]{babel}
\pagestyle{empty}
\topmargin=-2cm %vertical height
\begin{document}

\begin{center}
\section*{Der er et yndigt Land} %section title without number
\end{center}

\begin{flushleft}
Adam Oehlenschl\"ager
\end{flushleft}
\vspace{-1,15cm}
\begin{flushright}
Hans Ernst Kr\o yer
\end{flushright}

\scriptsize \hspace{-1cm}\qu e \hspace{0.2cm} = 120
\vspace{-0.35cm}
\normalsize


\begin{music}
\nobarnumbers %no bar numbers, obviously
\generalmeter\meterC  %c after key
\generalsignature{2} %# after key
\instrumentnumber{1} % a single instrument
\setstaffs1{2} % with two staffs
\interstaff{23} %distance between staffs

\startextract

\notes
\nextstaff
\qup h
\ds
\qp
\hspace{-0.5cm}
\zchar{-12}{\hspace{3.1mm}Der\hspace{0.65cm}er\hspace{0.5cm}et\hspace{0.3cm}yn-\hspace{0.3cm}digt\hspace{0.45cm}land\hspace{0.8cm}Det\hspace{0.45cm}st\aa r\hspace{0.3cm}med\hspace{0.2cm}bre-\hspace{0.15cm}de\hspace{0.6cm}br\o-\hspace{0.25cm}ge\hspace{1cm}N\ae r}

\zchar{-18}{\hspace{2mm}Der\hspace{0.55cm}sad\hspace{0.5cm}i\hspace{0.3cm}for-\hspace{0.2cm}dums\hspace{0.45cm}tid\hspace{1cm}De\hspace{0.45cm}harn-\hspace{0.3cm}isk\hspace{0.2cm}kl\ae d-\hspace{0.1cm}te\hspace{0.5cm}k\ae m-\hspace{0.1cm}per,\hspace{0.7cm}Ud-}

\zchar{-24}{\hspace{1mm}Det\hspace{0.45cm}land\hspace{0.2cm}end-\hspace{0.15cm}nu\hspace{0.4cm}er sk\o nt, Thi bl\aa sig s\o- en b\ae l- ter, Og}

\zchar{-30}{Hill\hspace{0.45cm}dort\hspace{0.5cm}og\hspace{0.3cm}f\ae d-\hspace{0.15cm}re- land! Hil hver en dan- ne-- bor- ger, Som}
\cu d



\prevstaff
\qp
\en

\bar

\notes
\nextstaff
\hsk
\qup h
\sk
\cu h
\qu f
\hsk
\qu d
\qsk

\prevstaff
\hsk
\zqp{=f}\zqp d\qup a
\sk
\cu a
\zq d\qu a
\hsk
\zq a\qu M
\en

\bar

\notes
\nextstaff
\qqsk
\hlp i
\sk
\ds
\cu d
\qsk

\prevstaff
\qsk
\zhp{gd}\hup b
\sk
\qp
\hsk
\en

\bar

\Notes
\nextstaff
\qsk
\qlp k
\cl k
\ql j
\ql i

\prevstaff
\qsk
\zqp g\qup d
\cu d
\zq g\qu d
\zq g\qu d
\en

\bar

\Notes
\nextstaff
\ql i
\qu h
\qp
\qu h

\prevstaff
\zqu g\hlp d
\hu f
\sk
\zq d\qu a
\en

\endextract

\end{music}







\begin{music}
\nobarnumbers %no bar numbers, obviously
\generalsignature{2} %# after key
\instrumentnumber{1} % a single instrument
\setstaffs1{2} % with two staffs
\interstaff{23} %distance between staffs

\startextract

\Notes
\nextstaff
\qup c
\hspace{-0.5cm}
\zchar{-12}{\hspace{3.1mm}Der\hspace{0.65cm}er\hspace{0.5cm}et\hspace{0.3cm}yn-\hspace{0.3cm}digt}
\zchar{-18}{\hspace{2mm}Der\hspace{0.55cm}sad\hspace{0.5cm}i\hspace{0.3cm}for-\hspace{0.3cm}dums}
\zchar{-24}{\hspace{1mm}Det\hspace{0.45cm}land\hspace{0.2cm}end-\hspace{0.15cm}nu\hspace{0.4cm}er}
\zchar{-30}{Hill\hspace{0.45cm}dort\hspace{0.5cm}og\hspace{0.3cm}faed-\hspace{0.15cm}re-}
\cu c
\qu d
\qu e


\prevstaff
\qup a
\cu a
\qu a 
\zqu N\qsk\ql a
\en

\bar

\Notes
\nextstaff
\qu f
\zqu g
\hsk\qsk
\zqu h
\hsk\qsk
\ql i

\prevstaff
\zqu M\qu b
\zqu b\zqu e
\hsk\qsk
\zqu a\zqu e
\hsk\qsk
\zqu d\qu f
\en

\bar

\Notes
\nextstaff
\hu h
\hu{^g}

\prevstaff
\qsk
\zh e\hu c
\zh d\zhu b\qsk\zhl e
\hsk
\en

\bar

\notes
\nextstaff
\hup h
\hsk
\ds
\cu h

\prevstaff
\qsk
\zhp{ce}\hup a
\hsk
\qp
\en

\bar

\Notes
\nextstaff
\qlp j
\cl j
\ql i
\qu h

\prevstaff
\zqp g\qup e
\zq g\cu e
\zq g\qu d
\zq c\qu N
\en

\bar

\Notes
\nextstaff
\qup h
\cl k
\ql k
\qu f

\prevstaff
\zqp g\qup d
\zq f\cu d
\zq f\qu d
\zq e\qu a
\en
\endextract

\end{music}





















\begin{music}
\nobarnumbers %no bar numbers, obviously
\generalsignature{2} %# after key
\instrumentnumber{1} % a single instrument
\setstaffs1{2} % with two staffs
\interstaff{23} %distance between staffs

\startextract

\Notes
\nextstaff
\qup c
\hspace{-0.5cm}
\zchar{-12}{\hspace{3.1mm}Der\hspace{0.65cm}er\hspace{0.5cm}et\hspace{0.3cm}yn-\hspace{0.3cm}digt}
\zchar{-18}{\hspace{2mm}Der\hspace{0.55cm}sad\hspace{0.5cm}i\hspace{0.3cm}for-\hspace{0.3cm}dums}
\zchar{-24}{\hspace{1mm}Det\hspace{0.45cm}land\hspace{0.2cm}end-\hspace{0.15cm}nu\hspace{0.4cm}er}
\zchar{-30}{Hill\hspace{0.45cm}dort\hspace{0.5cm}og\hspace{0.3cm}faed-\hspace{0.15cm}re-}
\cu c
\qu d
\qu e


\prevstaff
\qup a
\cu a
\qu a 
\zqu N\qsk\ql a
\en

\bar

\Notes
\nextstaff
\qu f
\zqu g
\hsk\qsk
\zqu h
\hsk\qsk
\ql i

\prevstaff
\zqu M\qu b
\zqu b\zqu e
\hsk\qsk
\zqu a\zqu e
\hsk\qsk
\zqu d\qu f
\en

\bar

\Notes
\nextstaff
\hu h
\hu{^g}

\prevstaff
\qsk
\zh e\hu c
\zh d\zhu b\qsk\zhl e
\hsk
\en

\bar

\notes
\nextstaff
\hup h
\hsk
\ds
\cu h

\prevstaff
\qsk
\zhp{ce}\hup a
\hsk
\qp
\en

\bar

\Notes
\nextstaff
\qlp j
\cl j
\ql i
\qu h

\prevstaff
\zqp g\qup e
\zq g\cu e
\zq g\qu d
\zq c\qu N
\en

\bar

\Notes
\nextstaff
\qup h
\cl k
\ql k
\qu f

\prevstaff
\zqp g\qup d
\zq f\cu d
\zq f\qu d
\zq e\qu a
\en

\setdoubleBAR
\endextract

\end{music}
























\begin{music}
\instrumentnumber{1} % a single instrument
\setstaffs1{2} % with two staffs
\generalmeter\meterC
\startextract % starting real score
\Notes\cup d|\cu e\cu f\en
\Notes\ca d\cu e\cu f\en


\Notes\zq c\zq e\zq g\qu j\en
\Notes\zq{ceg}\qu j\en
\bar
\zendextract % terminate excerpt
\end{music}


%\generalmeter\meterC
%\generalsignature{3}
\setclef1\bass
\setstaffs1{2}
\parindent0pt
\startextract
\NOtes|\qa{cegj}\en
\def\atnextbar{\znotes\centerbar{\cpause}|\en}%
\generalsignature{-3}\changecontext
\NOTes\ha{Nc}|\en
\def\atnextbar{\znotes|\centerbar{\cpause}\en}%
\setclef1\alto\changeclefs%
\generalmeter{\meterfrac21}\changecontext%
\NOTEs\wh d\pause|\en
\def\atnextbar{\znotes|\centerbar{\cPAuse}\en}%
\bar
\NOTEs|\en
\def\atnextbar{\znotes\centerbar{\cHpause{12}}|\centerbar{\cHpause{12}}\en}%
\endextract

\setstaffs13
\setclef1{6000}
\startextract
%\notesp
%\nextstaff\Ibbbu0Af7\prevstaff
%\qb0{AEH^JLa}\relax\nextstaff
%\qb0{******^c}\tqh0e\relax
%|\zq{h^jl}\ql o\en
\notesp
\nextstaff
\Ibbbu0hG6\qb0{hec}\prevstaff
\qb0{***aLJ}\tqh0H\relax\nextstaff
|\zq{h^jl}\ql o\en \nspace
\zendextract












\generalmeter\meterC %c after f key
\nostartrule %no kine in the begining
\parindent0pt %some distance from left part of the page
\startpiece
\NOtes\wh a\en
\generalmeter\allabreve\changecontext
\NOTes\ha{ce}\en
\generalmeter\reverseC\changecontext
\NOTEs\zbreve g\en
\generalmeter\reverseallabreve\changecontext
\NOTEs\zwq g\en
\generalmeter{\meterfrac{3\meterplus2\meterplus3}8}\changecontext
\notesp\Tqbu ceg\Dqbl jg\Tqbu gec\en
\generalmeter{\meterN3}\meterskip4pt\changecontext
\Notes\qa{ceg}\en\setemptybar
\endpiece


example 2
\begin{music}
\instrumentnumber{1} % a single instrument
\setstaffs1{2} % with two staffs
\generalmeter{\meterfrac44} % 4/4 meter chosen
\startextract % starting real score
\Notes\en
\zendextract % terminate excerpt

example 3
\Notes\cu c\cl j\en
\Notes\ccu c\ccl j\en
\Notes\cccu c\cccl j\en
\Notes\ccccu c\ccccl j\en
\Notes\cccccu c\cccccl j\en
\Notes\cl{a**bc*def^gh}\en
\end{music}

example 4
\begin{music}
\parindent10mm %the distance for instrument name
\instrumentnumber{1} % a single instrument
\setname1{Piano} % whose name is Piano
\setstaffs1{2} % with two staffs
\generalmeter{\meterfrac44} % 4/4 meter chosen
\startextract % starting real score
\Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\hl j\en
\Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\ql l\sk\ql n\en
\bar %vertical line
\Notes\ibu0f0\qb0{dgf}|\qlp i\en
\notes\tbu0\qb0g|\ibbl1j3\qb1j\tbl1\qb1k\en
\Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\hl j\en
\zendextract % terminate excerpt
\end{music}

example 5
\sepbarrules
\instrumentnumber2
\setstaffs12
\setstaffs23
\startextract
\notes\en\bar\notes\en
\zendextract



\setlyrics{amen1}
{\llabel{amenlabel}A-men!} \assignlyrics1{amen1}
\copylyrics{amen1}{amen2} \assignlyrics2{amen2}
\startextract
\NOtes% lower staff:
\itenu0K\beginmel\wh K\sk\sk\sk
\midslur2\tten0\endmel\hlp K&%
% upper staff:
\qa f\lyrnop\lyrpt,\qa g%
\golyr{amenlabel}\lclyr\qa h\lyrnop\lyrpt,\qa{_i}%
\golyr{amenlabel}\lclyr\beginmel\islurd1h\qa{hg}%
\tslur1f\endmel\qa f\en
\NOTEs\wh N&\wh g\en
\endextract



\end{document}